Zackary Drucker

Dylan, a 21-year old construction worker in rural New Mexico, joins a community of queer ranchers and rodeo performers in search of their own version of the American dream.

The history of New York’s Meatpacking District, told from the perspective of transgender sex workers who lived and worked there. Filmmaker Kristen Lovell, who walked “The Stroll” for a decade, reunites her community to recount the violence, policing, homelessness, and gentrification they overcame to build a movement for transgender rights.

In the not-too-distant future, the last two men on earth must adapt and evolve to save humanity.

Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history. In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’. Through a collaborative practice of reimagination, an impressive lineup of trans stars (Zackary Drucker, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, and Stephen Ira) take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.

The legacy of Billy Tipton, a 20th-century American jazz musician and trans icon, is brought to life by a diverse group of contemporary trans artists.

Углубленный взгляд на изображение трансгендерных людей в Голливудских картинах и влияние этих историй на повседневную жизнь трансгендеров и американскую культуру.

The history of the Stonewall Riots is equally as cherished as it is charged. There are questions of who was there, who "threw the first brick" and who can claim Stonewall. This film doesn’t answer these questions but instead it aims to expand the story of Stonewall by including more voices in its telling by bringing together voices from over 50 years of LGBTQ activism to explore the ongoing legacy of Stonewall.

In a post-gender Hollywood she helped create, powerhouse agent Venus Allen is besieged by unexpected events and demanding visitors. Blinded by success and in danger of losing her soul, Venus gets help from an unlikely source, her delightfully spiritual “mother.”

In a post-gender Hollywood she helped create, powerhouse agent Venus Allen is besieged by unexpected events and demanding visitors. Blinded by success and in danger of losing her soul, Venus gets help from an unlikely source, her delightfully spiritual “mother.”

В начале 2010 года разведывательный аналитик Брэдли Мэннинг передал Wikileaks сотни тысяч внутренних документов американской армии, благодаря которым широкая публика узнала о военных преступлениях в Ираке. Мэннинг фактически открыл новую эпоху в истории партизан-разоблачителей, решивших, что мораль и прозрачность важнее присяги. Через три года, на следующий день после того, как суд приговорил Мэннинга к 35 годам тюрьмы, она объявила, что с юности чувствовала себя женщиной — и теперь ее зовут Челси.

In the late 1950s, a woman named Agnes approached the UCLA Medical Center seeking sex reassignment surgery. Her story was long considered to be exceptional and singular until never-before-seen case files of other patients were found in 2017. Framing Agnes features preeminent trans culture-makers breathing new life into those who redefined gender in the midcentury.

It's a hot summer day in June, 1969. Marsha throws herself a birthday party and dreams of performing at a club in town, but no one shows up. Sylvia, Marsha’s best friend, distraught from an unsuccessful introduction between her lover and her family, gets so stoned she forgets about the party. Marsha, Sylvia, and friends eventually meet at the Stonewall Inn to celebrate Marsha's birth. When the police arrive to raid the bar, Marsha and Sylvia are among the first to fight back.

While visiting her Auntie Holly, Darling enters a parallel, dream-like world, where a series of encounters with transfeminine figures (played by Holly Woodlawn, Vaginal Davis, and Flawless Sabrina) explore the complexity of identity politics, gender construction and the edification of affects amid a kaleidoscopic depiction of time and place.

While visiting her Auntie Holly, Darling enters a parallel, dream-like world, where a series of encounters with transfeminine figures (played by Holly Woodlawn, Vaginal Davis, and Flawless Sabrina) explore the complexity of identity politics, gender construction and the edification of affects amid a kaleidoscopic depiction of time and place.

While visiting her Auntie Holly, Darling enters a parallel, dream-like world, where a series of encounters with transfeminine figures (played by Holly Woodlawn, Vaginal Davis, and Flawless Sabrina) explore the complexity of identity politics, gender construction and the edification of affects amid a kaleidoscopic depiction of time and place.

Amongst a trove of treasures, iconic drag performer Flawless Sabrina and Zackary Drucker ruminate on gender, drag, and resistance.

Amongst a trove of treasures, iconic drag performer Flawless Sabrina and Zackary Drucker ruminate on gender, drag, and resistance.

Amongst a trove of treasures, iconic drag performer Flawless Sabrina and Zackary Drucker ruminate on gender, drag, and resistance.

Two trans-identified women share moments of love, insult, and masochism, exchanging both kiki and kai kai languages. Their syncopated exchanges oscillate from hateful to loving, blurring the distinction between lover and enemy - a position that both women seem to share.

Two trans-identified women share moments of love, insult, and masochism, exchanging both kiki and kai kai languages. Their syncopated exchanges oscillate from hateful to loving, blurring the distinction between lover and enemy - a position that both women seem to share.

Candy’s rise from childhood in Long Island beauty pageantry to her years alongside Holly Woodlawn and Jackie Curtis as a member of the East Village experimental theater group, La Mama Etc., to starring in Warhol’s groundbreaking film, Women In Revolt.

With its non-linear structure, Zackary Drucker’s dreamlike Unison imagines phases of an always evolving trans identity existing simultaneously over an idyllic afternoon.

With its non-linear structure, Zackary Drucker’s dreamlike Unison imagines phases of an always evolving trans identity existing simultaneously over an idyllic afternoon.

With its non-linear structure, Zackary Drucker’s dreamlike Unison imagines phases of an always evolving trans identity existing simultaneously over an idyllic afternoon.