Giovanni Canfarelli Modica

A companion piece to the earlier film ‘The Death of Empedocles’, 'Black Sin' is an adaptation of the third version of Friedrich Hölderlin’s play ‘Der Tod Des Empedokles’.

Film adaptation by Straub and Huillet of Hölderlin's 1798 tragedy on the symbolic death of Empedoclus, the legislator in Ancient Greece.

Hanna is a girl completely abandoned to herself, is not at all inhibited sexually, and is attracted to the attention of unscrupulous people like Miguel, who takes advantage of Hanna, turning her to prostitution to obtain her drug fix. Until she meets Alex, a young man with a sincere affection for Hanna.

Преступная страсть. Смерть сына. Гибель любовника в кровавой автокатастрофе...

'Dalla nube alla resistenza (From the Cloud to the Resistance ) (1978), based on two works by Cesare Pavese, falls into the category of History Lessons and Too Early, Too Late as well. It, too, has two parts—a twentieth-century text and a text regarding the myths of antiquity, each set in the appropriate landscape. Pavese's The Moon and the Bonfires looks back on the violent deaths of Italian anti-Fascist resistance fighters; Dialogues with Leucò is a series of dialogues between heroes and gods, connecting myth and history and returning to an ambiguous stage in the creation of distinctions, such as that between animal and human, which are fundamental to grammar and language itself. Such a juxtaposition of political engagement with profoundly contemplative issues such as myth, nature, and meaning points to the characters of Empedocles and Antigone in the Hölderlin films.' (From "Landscapes of resistance. The German Films of Danièle Huillet and Jean-Marie Straub" by Barton Byg)

Их было трое: Красный Корсар, Зеленый Корсар и Черный Корсар. Они были мужественны и благородны, как капитан Блад. Но подлый удар в спину, работа наемного убийцы - и черный корсар остался один... Он должен отомстить, но враг силен и не собирается скрываться. Где произойдет последняя схватка - на бескрайних морских просторах или в дебрях джунглей - неважно. Кровь за кровь, око за око, жизнь - ничто, честь - все.

A familiar Biblical tale transformed into a cinematic opera of seemingly endless possibility. In expressive, melodic tones, the fraternal pair debate God’s true message and intent for His creations, a conflict that leads their followers towards chaos and sin. Set almost entirely within a Roman amphitheater whose history lends every precise line-reading and gesture, every startling camera move and cut, a totalizing force.

An old professor rents a mysterious old villa, and finds a tape recorded by a previous occupant, detailing her debauched lifestyle and the events leading to her murder.

An undercover Nazi in Libya aims to steal fuel and deliver it to a specific location in the desert where an Italian bomber would refuel on its way to Allied target.

A comedy about the Italian National Health System based on a doctor who owns a private clinic and manages it more like a con man than a follower of the Hippocratic oath.

Two inept crusaders almost sabotage the christians' plan to conquer Jerusalem.

In a small western town our hero Durango (Tab Hunter) delivers his prisoner to the jailhouse and then goes to the local saloon where the lady saloon owner Joanne has eyes only for him. But Durango only has eyes for his bride-to-be Lucy. Four masked men attack Lucy's father's farm and steal Lucy's dowry. They kill Lucy and her parents after the father strips the face mask from one of the bandits. A pocket watch is stripped from one of the bandits by Lucy's father and this is the only clue that Durango will have to revenge his love... With Joanne's help can Durango avenge himself?

E.C.H.O., a secret organization with a strange name masterminds a bizarre plot to take over the world by dosing important `nerve centers' with super potent LSD. The only man who can stop them is Rex, a secret agent working for an undisclosed organization.

The film is composed of five episodes which depict Italians' love lives in the 1960s.

Фильм описывает жизнь Иисуса с марксистско-католической точки зрения режиссёра и является как одним из самых критикуемых, так и одним из самых известных исторических картин. Фильм считается очень правдивой экранизацией текста Библии, хотя Пьер Паоло Пазолини заявлял, что "... изображения никогда не смогут достичь поэтических высот текста". Для экранизации Пьер Паоло Пазолини выбрал Евангелие от Матфея, потому, что посчитал, что Евангелие от Иоанна слишком мистическое, от Марка — слишком вульгарное, от Луки — слишком сентиментальное.

A middle-aged businessman meets a band of rowdy youths and is smitten by one, named Francesca.

Colonels, majors, lieutenants: all of them live in the same building. Some of them have a wife or children or none, but everyone has his orderly. Major Penna is harassed by Osvaldo's mother. Lt. Martucci gets involved in the love affair between Antonio, his orderly, and Lauretta.

A famous singer is drafted and gets the occasion of getting rid of his annoying girlfriend. He falls in love with a young student who finds out she is a singer herself.