Co-Producer
Belgian filmmaker Chantal Akerman lives in New York. Filmed images of the City accompany texts of Akerman's loving mother back home in Brussels. The City comes more and more to the front while the words of the mother, read by Akerman herself, gradually fade away.
Producer
Жанна Дильман — вдова и мать-одиночка, живущая в квартире, адрес которой вынесен в название фильма. В фильме показаны три последовательных дня её жизни. Она застилает кровать, собирает сына-подростка в школу, готовит еду, идёт в магазин за покупками, пьёт кофе, моет посуду, вечером ужинает с сыном. Днём она занимается проституцией — принимает дома клиентов и тем обеспечивает себя и сына. На секс с клиентом отводится время, которое требуется картошке, чтобы свариться. На второй день в установленном порядке начинаются сбои...
First Assistant Director
The fantasies and dreams of two over-the-hill actresses are intertwined with their realities, as the two roommates struggle to survive their day-to-day lives in the expensive and difficult world of Paris.
Screenplay
When he gets separated from his unit, Laforet (Roger Van Hool) becomes a de facto deserter during 1939 fighting in the French provinces. Most of the story concerns his love affair with a local farmgirl, as he competes for her affection with a refugee from Spain. When he presses her to make a decision between them, the choice doesn't go in his favor. Soon after this he joins up with the Resistance movement.
Director
When he gets separated from his unit, Laforet (Roger Van Hool) becomes a de facto deserter during 1939 fighting in the French provinces. Most of the story concerns his love affair with a local farmgirl, as he competes for her affection with a refugee from Spain. When he presses her to make a decision between them, the choice doesn't go in his favor. Soon after this he joins up with the Resistance movement.
