Karin Hammer

Franz is by far the smallest in the class, has blond ringlets and gets a high-pitched squeaky voice when he gets upset. Luckily, two best friends help: Gabi and Eberhard. When Franz discovers Hank Haberer's "10 rules for a real man" for himself one day, turbulence is inevitable and the friendship of the three gets into trouble.

The film delves into the life and work of the filmmaker Georg Stefan Troller, linking clips from films with his astute self-analysis.

Хелена работает в Вене судьёй, но вот только ради своего одного очень старого друга (и, вероятно, когда-то больше, чем друга) Павла он стала готова пойти на нарушение закона: передать через общего товарища Фолькера крупную сумму в Москву и инициировать нелегальный въезд преследуемого на родине Павла в Австрию.

A brutal-looking man drives through Vienna in a pick-up – with human cargo on the locked loading area. His victim, bound and gagged, is Karl Burger.

Germany, 1967. Ruby & Martin, a young couple, are rehearsing their uprising. The price is high: expulsion from school, parental violence, and ultimately institutionalization. But they are ready to take on the cause of love.

Rudi wears a suit, Daniel rides a bike. But despite all the differences between the two brothers, they become interested in the same woman. For different reasons, however - as Nora soon discovers...A comedy with depths, about loyalty, family ties and manipulation.

Experimental short based on the Haneke films.

Experimental short based on the Haneke films.

It is the past that determines the future of Armenia, says a woman right at the beginning of the film. Much of what is said later in the film proves her right.

It is the past that determines the future of Armenia, says a woman right at the beginning of the film. Much of what is said later in the film proves her right.

It is the past that determines the future of Armenia, says a woman right at the beginning of the film. Much of what is said later in the film proves her right.

It is the past that determines the future of Armenia, says a woman right at the beginning of the film. Much of what is said later in the film proves her right.

It is the past that determines the future of Armenia, says a woman right at the beginning of the film. Much of what is said later in the film proves her right.

It is the past that determines the future of Armenia, says a woman right at the beginning of the film. Much of what is said later in the film proves her right.

It is the past that determines the future of Armenia, says a woman right at the beginning of the film. Much of what is said later in the film proves her right.