Sound Mixer
In this hearty exploration of family, Mary Feinberg recounts a story to her filmmaker daughter as she makes her famous eggplant ragout. As Mary revisits the deeply troubling start to her first marriage, her ragout simmers and bubbles—much like her on- and off-camera interactions with her daughter.
Editor
In this hearty exploration of family, Mary Feinberg recounts a story to her filmmaker daughter as she makes her famous eggplant ragout. As Mary revisits the deeply troubling start to her first marriage, her ragout simmers and bubbles—much like her on- and off-camera interactions with her daughter.
Mike Bruton
Mike Bruton is a clown with a drinking problem. Seriously: a real clown. Eager to pick up where he left off after a stint in rehab, Mike hops on his unicycle and takes off on an apology tour, starting with a visit to his childhood home in New Jersey and ending up in Brooklyn. Mike soon realizes that not everyone is ready to forgive him and his best bet at a life in recovery is to start small.
Colorist
Two sisters in a bathroom debate their different approaches to the patriarchy.
Supervising Sound Editor
Two sisters in a bathroom debate their different approaches to the patriarchy.
Editor
Two sisters in a bathroom debate their different approaches to the patriarchy.
Steve Harper
Home for Thanksgiving break after their first semester at college, five friends discover just how much things change (and don't) after high school.
Chris "Bena" Benaschnaz
On the eve of their wedding, Alison gets cold feet and decides to break up with her fiancé Phil. But rather than face the embarrassment of calling off the ceremony, Alison suggests to Phil that they proceed with a sham wedding. Phil is more than game to try, secretly hoping that a surprise gift he has for Alison will ultimately change her mind. Yet once the guests begin to arrive, more complications ensue than either of them could have ever imagined - even if they did know their wedding was bullshit.
Cinematography
Marlon E. Fuentes' Bontoc Eulogy is a haunting, personal exploration into the filmmaker's complex relationship with his Filipino heritage as explored through the almost unbelievable story of the 1,100 Filipino tribal natives brought to the U.S. to be a "living exhibit" at the 1904 St. Louis World's Fair. For those who associate the famous fair with Judy Garland, clanging trolleys, and creampuff victoriana, Bontoc Eulogy offers a disturbing look at the cultural arrogance that went hand-in-hand with the Fair's glorification of progress. The Fair was the site of the world's largest ever "ethnological display rack," in which hundreds of so-called primitive and savage men and women from all over the globe were exhibited in contrast to the achievements of Western civilization.
