George Paul Avram

Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.

Professor Cristian conducts research on a citostatic. He is still dealing though with the unjust condemning he suffered in the 50s. Some of the people around him try to bring him down with same type of accusations.

During the peasant uprising of 1888, Alecu Dumitru, a socialist, hides from police in the Nada Florilor island, next to a fishing village.

At a swanky hotel in a Black Sea resort, Gogu, one of the hotel employees, meets his uncle Marin, an Oltenian peasant who has come to visit. Gogu says he can sneak Marin into the hotel, as one of the rooms is empty awaiting the arrival of an American billionaire, Mr. Juvett. Marin is amazed by the revealing clothing worn by women at the resort, while the hotel guests are fascinated by his quaint peasant costume. In the hotel room, Marin is perplexed by the various gadgets. Meanwhile, the gangsters learn that Juvett has arrived at the hotel. Juvett is the father of the kidnapped girl, and is coming to pass over a million dollar ransom. A rival gang, who know about the kidnapping, plan to take the ransom for themselves. They follow Marin, believing him to be Juvett.

Biography of Aurel Vlaicu, a world wide aviation pioneer.

Toma Caragiu plays Costica Caratase character inspired by the personality of the great actor Constantin Tanase. The action takes place in the interwar period and focuses on the conflict between actor and Iron Guard movement ("savages") offended by a satirizes artistic performances. Film question the artist's freedom of expression and the danger posed by his involvement in social issues existing in a dictatorship world.