In the aftermath of the Trojan war, a series of unrequited loves threatens to destabilise the fragile peace. But for a spurned Spartan princess, there are only two options left: forgiveness and murder. The most ambitious and innovative of all Rossini’s operas, Ermione was a calamitous failure on its opening night at the Teatro di San Carlo 200 years ago. It now returns to the Neapolitan theatre in a new production by Italian director Jacopo Spirei starring American soprano Angela Meade in the title role.
Tebaldo
Bellini - i Capuleti e i Montecchi at the Gran Teatre del Liceu, Barcelona
Almaviva
Probably the most famous Opera Buffa in music history, The Barber of Seville is an eternal source of joy. The director Vittorio Borelli, has set the action in its original context, during the time of Beaumarchais indicative of the change in social attitudes before, during, and after the French Revolution, but still fully adorn with powdered wigs and silk trousers. We are in Seville where the young and beautiful Rosina is kept locked up by her guardian, Don Bartolo, who intends to marry her in order to keep her dowry. However, Rosina is in love with the young Count Almaviva who, with the help of Figaro, will try everything to save her to finally be with his beloved.
Don Narciso
Il Turco in Italia is one of Rossini‘s wittiest but most neglected works. It is full of ingenious and freshly composed invention. It is Rossini‘s first collaboration with Felice Romani - Bellini‘s librettist - on this opera and Romani understood perfectly Rossini‘s love of pastiche and parody. He provided a commedia dell‘ arte scenario that gave Rossini plenty of opportunity to mock traditions he had helped to cultivate in the first place. The plot is delightfully salcious and among the many jewels in the score, the duet for Geronio and Selim, in which the Turk tries to persuade the ageing husband to sell his wife to him, is widely considered one of the composer‘s masterpieces.
Elvino
La Sonnambula is an idillic, classical and intense melodramma with an extremely fine, lyrical musicality and tense with pure "canto", suspended between Arcadia and Romanticism. It is a combination of tender and melancholic sentiments and of tragic and moving passion, in a natural uncontaminated and innocent atmosphere and humanity which clearly represent the artistic experience of the composer. The charming staging by Hugo de Ana, at the Teatro Lirico di Cagliari goes back to January 2007. Through fascinating tableaux vivants, references to 17th century Romantic painting and refined visual projections, it is a tribute to Luchino Visconti. Visconti produced the memorabile performance of Sonnambula in March at the Scala di Milano with the magnificant Maria Callas.
