"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.
The town is waking up. The bus driver Josef Král is saying goodbye to his wife Vera who is in a state of advanced pregnancy. At the rolling mill, the master craftsman Mares is preparing for retirement, which is now only two days away. Elderly Simon who grows and sells vegetables at the market has problems with his wife. Their little home has to give way to a new development but the wife Simonka refuses to move out. The chairman of the workers' council has troubles with the miner Adam, who has started drinking. He doesn't know that Adam is getting divorced and fears he may lose his young son to his wife.
On the holidays, ten years old Adam and his little sister Otka, four years junior to him, travel from a village Vykán to their aunt to Prague. Their parents left for Hungary to the world championship in ploughing. The children have the address but they do not know the way to the Northern Town. They set out for a place on foot, across the historical parts of the town.
Zofie and Dominika, two girls of very different temperaments, become friends during hop-picking volunteer work in the summer. Zofie (Jaroslava Schallerová) is serious to the point of reticence and she is delighted with her friendship with Dominika. For the self-assured and superficial Dominika (Irena Svárová) the whole thing is just a momentary whim. When she leaves the work camp before everybody else, she doesn't even say goodbye to Zofie. The two girls meet again after the holidays as first-year students at medical school, and become close again during the nursing techniques class.
Юная ведьма Саксана училась в магической школе неприлежно. Вместо вороны могла превратиться в курицу или корову. Загадочная грусть-тоска съедала ее сердце. Папа, летучая мышь, ребенком не занимался, поскольку днем спал. Четырехрукий директор школы ругал ее за неуспеваемость. И просвета в этой жизни не было, пока однажды Саксанко не узнала, что может в виде совы перенестись в мир людей и пожить там полной жизнью 44 часа – все лучше, чем ничего.
