Marco Capalbo

Werner Herzog sets his sights on yet another mysterious landscape — the human brain — for clues as to why a hunk of tissue can produce profound thoughts and feelings while considering the philosophical, ethical, and social implications of fast-advancing neural technology.

Filmmaker Werner Herzog combs through the film archives of volcanologists Katia and Maurice Krafft to create a film that celebrates their legacy.

This remarkable journey across our planet and universe explores how meteorites, shooting stars, and deep impacts have awoken our wonder about other realms—and make us rethink our destinies.

When Bruce Chatwin was dying of AIDS, his friend Werner Herzog made a final visit. As a parting gift, Chatwin gave him his rucksack. Thirty years later, Herzog sets out on his own journey, inspired by Chatwin’s passion for the nomadic life, uncovering stories of lost tribes, wanderers and dreamers.

A romantic dinner for two goes awry when the host's long-lost brother crashes the party.

В своей новой документальной картине, Вернер Херцог погружается в прошлое, настоящее и будущее виртуального мира. С немецкой дотошностью и романтичностью он рассказывает историю интернета, от его пионеров из Калифорнийского университета до современных визионеров вроде Илона Маска. Однако Херцога интересует не только научно-технические достижения или, напротив, апокалиптические прогнозы, связанные с развитием мировой паутины, но прежде всего, как и почему интернет настолько кардинально изменил и продолжает менять нашу жизнь, что даже подсмотренные Херцогом буддистские монахи, едва прервав медитацию, тут же утыкаются в твиттер. Херцог исследует цифровой пейзаж с той же страстью и самоотверженностью, с которыми он раньше пересекал дикие ландшафты Амазонии, Сахары или Антарктиды, и рассказывает о взаимном влиянии двух миров: сетевого и реального, который теперь, после появления интернета, никогда уже не будет прежним.

STRAVINSKY IN HOLLYWOOD explores the short-lived film career of this legendary composer, it is the story of his trials and tribulations with the Hollywood Studios, the story of an old school European artist knocking heads with the brash New World. Igor Stravinsky lived in the heart of Hollywood from 1939 until shortly before his death in 1971 - longer than in any other single place. He came expecting to find lucrative work composing for the movies. The film uses a combination of existing archival footage (some of it never before seen), interviews with Stravinsky and his assistant Robert Craft. The documentary includes scenes from several big studio films of the 40s brought together for the first time with the music which Stravinsky wrote for them.

STRAVINSKY IN HOLLYWOOD explores the short-lived film career of this legendary composer, it is the story of his trials and tribulations with the Hollywood Studios, the story of an old school European artist knocking heads with the brash New World. Igor Stravinsky lived in the heart of Hollywood from 1939 until shortly before his death in 1971 - longer than in any other single place. He came expecting to find lucrative work composing for the movies. The film uses a combination of existing archival footage (some of it never before seen), interviews with Stravinsky and his assistant Robert Craft. The documentary includes scenes from several big studio films of the 40s brought together for the first time with the music which Stravinsky wrote for them.

STRAVINSKY IN HOLLYWOOD explores the short-lived film career of this legendary composer, it is the story of his trials and tribulations with the Hollywood Studios, the story of an old school European artist knocking heads with the brash New World. Igor Stravinsky lived in the heart of Hollywood from 1939 until shortly before his death in 1971 - longer than in any other single place. He came expecting to find lucrative work composing for the movies. The film uses a combination of existing archival footage (some of it never before seen), interviews with Stravinsky and his assistant Robert Craft. The documentary includes scenes from several big studio films of the 40s brought together for the first time with the music which Stravinsky wrote for them.