Erich Czerwonski

The stand-alone opera singer Carmen Casini dare not admit to her adult son, the spoiled race car driver Cecil, that she ruined her voice on a stormy day at the racetrack and that her career is thus at an end. Meanwhile, Cecil has fallen in love with the pretty Colette … without suspecting that her father, the wealthy Bartell, was a former lover of his mother and that he’s Cecil’s daddy. Thus, both Carmen and Bartell try to prevent the unfolding love-relationship between brother and sister, because this ain’t the Ozarks, you know! Only after the unhappy Cecil tries to commit suicide after an argument with his mother do Carmen and Bartell realize they still love one another. Suicide attempt be damned; let’s go out on a date! A movie that screams “Fun for the whole family.”

Aimless Bohemians are encouraged to find their salvation in Arbeit (Work) in this propagandistic Nazi era German production.

By pure chance, Jessie and his four jazz musicians are hired to play at the cabaret theatre “Trocadero”. Unfortunately, she knows nothing about music and it doesn’t help that all four musicians are in love with her. Jessie doesn’t reciprocate their feelings, because she has a thing for Martin. Unfortunately, Martin believes that Jessie stole his car … and so, right before the premiere at the cabaret, she ends up in jail.

In the Ruritanian kingdom of Leuchtenstein, the old ruler has just died. His subjects are a bunch of intrigants, and his only real friend was the Baroness Windegg (Olga Tschechowa), a kind-hearted, witty, and very attractive woman, who however was not much loved by the Leuchtenstein upper class. And as these are only interested in getting better positions and other wealths after His Excellency's death, the baroness invents the story that the old ruler wrote his memoirs before his death, containing a lot of intimate, delicate and potentially embarrassing details about the Leuchtenstein dignitaries. Unsurprisingly, everyone is afraid about the details to be revealed. Only the successor to the throne, Prince Ernst Albrecht (Willy Fritsch) sees through the baroness' scheme, and as he is a lusty young man, he joins in her prank.

Mary and Eva are best friends, although they couldn't be more different. Armand, Mary's fiancee, falls in love with the seductive Eva, who is busy becoming a revue star. When Eva fails and loses her money, Armand tries to help her out.

The likeable and carefree Grand Duke of Abacco is in dire straits. There is no money left to service the State's debt; the main creditor is looking forward to expropriating the entire Duchy. The marriage with Olga, Grand Duchess of Russia, would solve everything, but a crucial letter of hers about the engagement has been stolen. Besides, a bunch of revolutionaries and a dubious businessman have other plans regarding the Grand Duke. With the intrusion of adventurer Philipp Collins into the Grand Duke's affairs, a series of frantic chases, plots and counter-plots begins.

Kornej is a young painter of primitivism. An art agent discover the works of Kornej and buy the whole collection. The art critic Moulin is very excited about Kornejs paintings and style. Kornej marries his childhood sweetheart Rita. They have a child that carries a mystic disease. Allt the money Kornej got from selling his collection is put into the care of the sick child. Rita leaves Kornej.