Manfred Vainokivi

With his last breath Uu's friend entrusts him with the secret of how to go to the past. Uu is an engineer and doesn't believe in miracles, but the trick works. In the past there is a pleasant, eternal summer, long hair, girls and Jenkki chewing gum. In his real life, it is autumn, his friends are bitter, the girls are married and his father is seriously ill. At the end of the day, however, Uu has to decide in which time to live his life - in the summer of the past or in the autumn of the present.

A richly animated documentary about the extremely popular caricaturist Gori, whose fate in Estonia at the beginning of the last century shows the balance between power and freedom like a mirror. In the Fellini-like world of Gori (1894-1944), farce and drama, mockery and big politics mix. There is no subject that Gori's pen will not mock until the winds turn and mouths are closed.

It is time to get out of the closet and show the world your teeth. The director, who considers himself to be Mozart, has been tootling with his films in the festival circuit for years, waiting for a big breakthrough. For an inexplicable reason, the world has not recognised his talent. Still only Salieris have garnered the fame and the fortune. There is a simple conclusion. The world has not learned anything in 200 years and keeps repeating the same mistake.

It is time to get out of the closet and show the world your teeth. The director, who considers himself to be Mozart, has been tootling with his films in the festival circuit for years, waiting for a big breakthrough. For an inexplicable reason, the world has not recognised his talent. Still only Salieris have garnered the fame and the fortune. There is a simple conclusion. The world has not learned anything in 200 years and keeps repeating the same mistake.

It is time to get out of the closet and show the world your teeth. The director, who considers himself to be Mozart, has been tootling with his films in the festival circuit for years, waiting for a big breakthrough. For an inexplicable reason, the world has not recognised his talent. Still only Salieris have garnered the fame and the fortune. There is a simple conclusion. The world has not learned anything in 200 years and keeps repeating the same mistake.

It is time to get out of the closet and show the world your teeth. The director, who considers himself to be Mozart, has been tootling with his films in the festival circuit for years, waiting for a big breakthrough. For an inexplicable reason, the world has not recognised his talent. Still only Salieris have garnered the fame and the fortune. There is a simple conclusion. The world has not learned anything in 200 years and keeps repeating the same mistake.

A wide range of relatives and acquaintances have traveled to a funeral, and as is typical of Estonians, the sad event turns into a comical one as the evening develops. The primordial disputes that arise among the Estonians take on hyperbolic dimensions as events unfold, creating misunderstandings.

A wide range of relatives and acquaintances have traveled to a funeral, and as is typical of Estonians, the sad event turns into a comical one as the evening develops. The primordial disputes that arise among the Estonians take on hyperbolic dimensions as events unfold, creating misunderstandings.

A wide range of relatives and acquaintances have traveled to a funeral, and as is typical of Estonians, the sad event turns into a comical one as the evening develops. The primordial disputes that arise among the Estonians take on hyperbolic dimensions as events unfold, creating misunderstandings.

Andres is a sensitive teenager raised by his strict grandparents in a small bland Soviet Estonian town. He is being bullied at school and his only friends are the drunkards, whores, and thieves living next door.

Andres is a sensitive teenager raised by his strict grandparents in a small bland Soviet Estonian town. He is being bullied at school and his only friends are the drunkards, whores, and thieves living next door.

From time to time, Mephistopheles manifests himself to the Estonian people through Linnar Priimägi. The released energy gives birth to chaos. Manfred Vainokivi tries his hardest to portray the one who causes it. Unsuccessfully, of course. Because even the largest letters are unreadable in twilight, as Goethe said. And there is a lot of twilight now. At least according to Linnar.

From time to time, Mephistopheles manifests himself to the Estonian people through Linnar Priimägi. The released energy gives birth to chaos. Manfred Vainokivi tries his hardest to portray the one who causes it. Unsuccessfully, of course. Because even the largest letters are unreadable in twilight, as Goethe said. And there is a lot of twilight now. At least according to Linnar.

From time to time, Mephistopheles manifests himself to the Estonian people through Linnar Priimägi. The released energy gives birth to chaos. Manfred Vainokivi tries his hardest to portray the one who causes it. Unsuccessfully, of course. Because even the largest letters are unreadable in twilight, as Goethe said. And there is a lot of twilight now. At least according to Linnar.

A documentary exploring the difficulties the newly-independent Estonia faced in the early 1990s after emerging from decades of Soviet rule. The film focuses especially on then-32-year-old and inexperienced Mart Laar, who became country's prime minister while there still were tens of thousands of Soviet soldiers in the country.

The film is set in a town that has a professional symphony orchestra, managed by authoritarian and confident Paul Levald, who has conducted both the orchestra and his family affairs for years. Due to dramatic events, Paul’s son-in-law Egon Rei must unexpectedly assume his duties. In addition to the baton, power and responsibility as well as the tensions in the orchestra, Egon inherits his father-in-law’s secrets and obligations from his complicated past. New lies are born out of old ones and, at some point, Egon realises that the revelation of truth might cause a real chaos. "Family Lies" by Valentin Kuik and Manfred Vainokivi is a relationship drama about elephants in the bedroom and skeletons in the closet, about small and big deceptions, half-truths and set-ups that can be found in every family’s secret chronicles.

The film is set in a town that has a professional symphony orchestra, managed by authoritarian and confident Paul Levald, who has conducted both the orchestra and his family affairs for years. Due to dramatic events, Paul’s son-in-law Egon Rei must unexpectedly assume his duties. In addition to the baton, power and responsibility as well as the tensions in the orchestra, Egon inherits his father-in-law’s secrets and obligations from his complicated past. New lies are born out of old ones and, at some point, Egon realises that the revelation of truth might cause a real chaos. "Family Lies" by Valentin Kuik and Manfred Vainokivi is a relationship drama about elephants in the bedroom and skeletons in the closet, about small and big deceptions, half-truths and set-ups that can be found in every family’s secret chronicles.

The film is set in a town that has a professional symphony orchestra, managed by authoritarian and confident Paul Levald, who has conducted both the orchestra and his family affairs for years. Due to dramatic events, Paul’s son-in-law Egon Rei must unexpectedly assume his duties. In addition to the baton, power and responsibility as well as the tensions in the orchestra, Egon inherits his father-in-law’s secrets and obligations from his complicated past. New lies are born out of old ones and, at some point, Egon realises that the revelation of truth might cause a real chaos. "Family Lies" by Valentin Kuik and Manfred Vainokivi is a relationship drama about elephants in the bedroom and skeletons in the closet, about small and big deceptions, half-truths and set-ups that can be found in every family’s secret chronicles.

September is a film about the complicated choices of simple people. The internationally renowned Estonian author, Jaan Kross (1920-2007) was arrested in 1944 by the Nazis. A year after the Soviet forces entered Tallinn and he was arrested again. The accusation was the same both times: conspiracy with the underground independence revolutionaries. Based on the author's journal, pieces from his oeuvre and interviews, the film creates a story about a few monumental weeks in Tallinn, in September 1944.

When a former fistfighter Madis leaves the prison, he feels he will get another chance in life. Nothing can go wrong this time. Madis will be accompanied by his nephew who has something completely opposite in his mind. A game begins where both the weak and the strong get more and more opportunities.

When a former fistfighter Madis leaves the prison, he feels he will get another chance in life. Nothing can go wrong this time. Madis will be accompanied by his nephew who has something completely opposite in his mind. A game begins where both the weak and the strong get more and more opportunities.

When a former fistfighter Madis leaves the prison, he feels he will get another chance in life. Nothing can go wrong this time. Madis will be accompanied by his nephew who has something completely opposite in his mind. A game begins where both the weak and the strong get more and more opportunities.

Жители социалистической Эстонии находят спасение от серости будней, настраивая антенны своих телевизоров на волну финского телевидения, демонстрирующего столь желанные образы «загнивающего капитализма». Информационную войну тоталитарный режим проигрывает.

After being whacked on the head with a shovel, Valdis no longer shows interest in the things that used to make his life worthwhile: alcohol, techno, cars and fights. His friends desperately try to help him regain his memory, but nothing works.

10-year-old Martin meets a cat, who turns into a boy and helps Martin solve his problems which occurred after he changed school.

10-year-old Martin meets a cat, who turns into a boy and helps Martin solve his problems which occurred after he changed school.

10-year-old Martin meets a cat, who turns into a boy and helps Martin solve his problems which occurred after he changed school.

Two elderly people have decided to start having children. There was no time for this in their youth, they had to work hard to survive. Now, in retirement, nimble old people are making children for sale to spend the night with beer, cigarettes and cocaine. It is the year 2050. The third child of the elderly is about to be born and the selling price is rising. The moral and ethical categories have changed. An aging Europe needs children.

Everyone has their own Sulev Nõmmik. To whom the director Sulev Nõmmik, to whom Kärna Ärni alias Ernst Kern, some remember him as a ballet dancer, others as a satirist. What these parts mean together and whether the whole can be divided, the film tries to answer.