Toma Waszarow

Светла – учительница и вдова, недавно потерявшая работу. Деревня, в которой она живет, находится недалеко от границы Болгарии с Турцией, и рядом часто появляются беженцы. Однажды во время охоты в лесу Светла встречает мигранта из Африки. Это приводит к драматическому повороту в ее жизни. Она вынуждена восстать против людей, с которыми жила, поскольку они выгоняют беженцев.

In a small provincial town, the only traffic light is stuck on red. An intercity bus driver refuses to continue until the light turns green. This provokes a series of misunderstandings with the nervous passengers and the local law enforcement, in a world where following the rules is a misunderstanding in itself.

In a small provincial town, the only traffic light is stuck on red. An intercity bus driver refuses to continue until the light turns green. This provokes a series of misunderstandings with the nervous passengers and the local law enforcement, in a world where following the rules is a misunderstanding in itself.

The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.

A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.