Neal Gibbs

Данни беременеет от Макса, но, встретив его на вечеринке, не находит в себе сил рассказать об этом. Новая девушка Макса Авишаг достаточно доверяет ему, чтобы быть с ним сексуально раскованной, но все равно несчастлива в отношениях. Иногда она гуляет с собаками своего старшего знакомого Дрора, к которому ее тянет по-настоящему.

Figure-Ground is an unorthodox exploration of the bizarre reality of the Israeli-Palestinian conflict: an associative compilation of found footage, composed entirely of excerpts from YouTube videos of the beach of Tel Aviv and the hills and valleys of the West Bank. As bathers hurriedly seek shelter when the siren warns of missiles, soldiers on the other side clash with protesting Palestinians, and a bulldozer goes about its demolition work. An Israeli settler shows off his grapes, while elsewhere a Palestinian describes how his orchard was destroyed. Dogs harass a flock of sheep, dogs play on the beach. At times, protesters confront each other with Israeli and Palestinian flags. In this energetic and apparently intuitive collage, two parallel realities full of staggering contrasts are juxtaposed, yet they are also inextricably linked. And not only because the poppies on the coast look just like the flowers growing in the hills.

Figure-Ground is an unorthodox exploration of the bizarre reality of the Israeli-Palestinian conflict: an associative compilation of found footage, composed entirely of excerpts from YouTube videos of the beach of Tel Aviv and the hills and valleys of the West Bank. As bathers hurriedly seek shelter when the siren warns of missiles, soldiers on the other side clash with protesting Palestinians, and a bulldozer goes about its demolition work. An Israeli settler shows off his grapes, while elsewhere a Palestinian describes how his orchard was destroyed. Dogs harass a flock of sheep, dogs play on the beach. At times, protesters confront each other with Israeli and Palestinian flags. In this energetic and apparently intuitive collage, two parallel realities full of staggering contrasts are juxtaposed, yet they are also inextricably linked. And not only because the poppies on the coast look just like the flowers growing in the hills.

У режиссера умирает отец, но тот никак не может его отпустить, и тогда он пытается оставить его на этом свете как можно дольше, встречая при этом сопротивление со стороны угрюмого родителя.

Carmel (17) is asked to convey a message of reconciliation from his best friend Ido's recent ex-girlfriend. When he finds Ido heartbroken and in need of comfort, he clings to the last moments of closeness.

Дождливый Токио. Женщина по имени Эко размещает в газете странное объявление, в котором обещает воплотить в жизнь сон любого желающего. Пока незнакомцы оставляют описания снов на её автоответчике, в Тель-Авиве идет расследование убийства, которое загадочным образом связано с её деятельностью.

The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, fuck, and choose.

The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, fuck, and choose.

Трое студентов во время своей поездки в Иерусалим оказываются вовлеченными в библейский апокалипсис. Оказавшись в ловушке между древними стенами святого города, они должны найти выход из обрушившегося на них ада.

In this tough and tender punk-rock romance, Noa and Orr have just one more night to spend together in Tel Aviv before Orr leaves for Berlin. But, as is so often the case, the passions and ideals of youth may be imperilled by adulthood's tough emotional truths and knotty ethical dilemmas.

The trial story of Viviane Amsalem's five year fight to obtain her divorce in front of the only legal authority competent for divorce cases in Israel, the Rabbinical Court.

The year is 1964. Rachel Brener is one of 3 young Mossad agents teem who caught "THE SURGEON OF BIRKENAU" - a Nazi monster who was never brought to trial in Israel. The official reason was that he was shot to death while trying to escape from Israeli captivity in a safe house somewhere in Europe. 30 years after, the well communicated death story of the monster could be questionable, a small article appears in a local unimportant paper in a small town in Ukraine. Surprisingly the Surgeon is ALIVE and is willing to admit his crimes against the human race and especially the Jews. The 3 older x Mossad agents who are in their late 60th became aware to this unfortunate threatening knowledge. The fact was that the "Surgeon" managed to escape from his guards 30 years ago.

In Jerusalem, between the west bank and the east bank, lies a promenade which serves as a border line between the Jewish neighborhoods and the Palestinian ones. To the wanderers on both sides, the view posed along its length is a view of the conflict (from the separation wall, through the Palestinian neighborhoods and reaching the Temple Mount). Turning back to the landscape, and observing the Israeli people overlooking it, the film turns the promenade into a "canvas" on which the Israelis celebrate its confused identity - between the day-to-day and the national holidays, between the flowers and the memorial monuments.