Cinematography
Relaxing in your backyard is one thing. Relaxing naked in your backyard with an old friend is something else entirely and may have consequences.
Camera Operator
After witnessing her Daddy's tragic death in the ring Charlie sets out to become a wrestler in his memory. The only things stopping her are a disapproving boyfriend, an overwhelming day job, and her corporate psycho boss - whose dodgy business practices threaten to unleash hordes of brain eating wrestling-monsters on the earth! Faced with a wrestle-pocalypse Charlie has no choice but to open up a can of whoop-ass and take these monstrous Jabronis for a stroll down smack down boulevard! From the director of the international cult film MURDERDROME comes FROM PARTS UNKNOWN: FIGHT LIKE A GIRL. The story of a young girl wrestling with life's issues - and some brain eating wrestle-monsters.
Still Photographer
Некоторые называют его героем. Некоторые - злодеем. Он - Джон Доу - обычный человек, который решает взять закон в свои руки. Разочарованный правовой системой, которая позволяет преступникам разгуливать на свободе, Джон Доу начинает сам вершить правосудие единственным известным ему методом - убивая преступников...
Cinematography
Face to Face is adapted from David Williamson's play of the same name which is in turn based on the transcripts from real conflict resolution sessions. The story is about a young scaffold construction worker who is charged with assaulting his boss. By the end of the film, all our assumptions about guilt and blame are turned on their heads. As 10 people sit in a room discussing the turn of events that brought our protagonist to breaking point, twists and surprises reveal that all is not quite as simple as it seems. Michael Rymer directs his screen adaptation of 'Face to Face' (written by Australian playwright David Williamson), as an ensemble piece about 10 very dissimilar Australians bound together by a complex pattern of relationships and shared histories. Hysterically funny and deeply moving, each character's role in the drama peels back another layer as the story digs down to the roots of who these people really are.
Cinematography
Biologist Michael Dorn is infected with a virus designed as a cure for HIV, but which turns its victims into vampires. Now a threat to the very organisation for which he worked, Michael is on the run and must decide the fate of the world. His options: destroy all knowledge of the virus, or succumb to the power and delights of this dark and evil way of being.
