Романтическая комедия начинается с того, что юноша Рой нашёл на берегу обнажённую девушку, находящуюся без сознания. Стало ясно, что её вынесло течением моря. Парень незамедлительно отвёз незнакомку в больницу, где ей оказали помощь и привели в чувства. Но оказалось, что девушка ничего не помнит, кроме своего возраста и даты рождения. Ей дали временное имя Мими. Рой старался окружить новую подругу теплом и заботой, в надежде, что память скоро вернётся.
Filmmaker Peter Mettler embarks on a mission that takes him around the world. He is determined to record the diverse modes of transcendence that people in different cultures adopt in order to live life to the fullest. As he traverses civilization and wilderness and encounters a range of lifestyles and ideas, the filmmaker's mind-expanding trip around the world grows into a poem of images and sounds, reflecting the fragmented but alluring worlds it attempts to capture.
Canadian horror film featuring music from Canadian punk bands The Curse, Cardboard Brains, Space Phlegm, The Ugly, Willie English, The Spenglers and The Secrets.
A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)
