Lok Gung

The plot follows a group of women who struggle in Hong Kong, most of them illegal immigrants from mainland China.

In 1974, John Lo Mar co-directed The Crazy Bumpkins, a new variation on the time-tested, beloved Cantonese comedy "Country Bumpkin" tradition. That proved such a success that a sequel, Return Of The Crazy Bumpkins, soon appeared. Now, the third time's the charm, as John Lo Mar gets to both write and direct the third slapstick-filled installment, once again starring Yeh Feng and Wang Sha as the hapless and hilarious yokel Ah Niu and his crafty city-slicker Uncle Chou.

shaw production

Hong Kong comedy film.

This is a film about the movie industry, about favors, hooking up etc. It is mostly set in Copenhagen and the story begins with the son of a big producer going to Copenhagen from Hong Kong trying to seal a deal. He gets involved with the Denmark girls.

Hong Kong drama film.

The legendary swords-girl Little White Dragon, helps protect a crown prince on his journey to a far off temple where he is to be blessed before becoming a Prince. His evil relatives lay traps and send fighters to try and assassinate him.Luckily, the young prince is rescued by the Little Warrior, who is known as: The White Dragon. White Dragon fights off the assassins and delivers the prince safely to the monastery.

One stormy night, a poor music student (Patrick Tse) meets a famous dancer (Josephine Siao). In one night, he composes for her the musical of her dreams: A Purple Stormy Night. The management of her dance company is divided on the musical, but the dancer manages to dispel all their doubts and the musical becomes a great success. The student and the dancer fall in love, but there is a shadow side to happiness: corrupted by success, the next musical they make is superficial. "Purple Night" shows the dangerous influence commerce can have on artistic integrity and is also about themes such as love and friendship, the relationship between art and life and the conflict between rich and poor.

A Hong Kong Cantonese comedy film

A Hong Kong Jane Bond film starring Josephine Siao.

Further adventures of Lady Black Cat.

A Death Pass is an outstanding crime drama spiced with a touch of ‘Jane Bond'. A sequel to the police story Girl Detective 001 (1966), director Chor Yuen and scriptwriter Szeto On retain the undercover plot but turn the film into more of an atmospheric mystery, in which a series of murders are committed after the victims are served with a provocative Death Pass. Connie Chan Po-chu stays truth to the ‘Jane Bond' persona of a virginal action woman, exuding tender charm and steely professionalism all at once. Under Chor's able direction, Szeto's complicated story is executed with style and vigour, culminating in a climatic dramatic plot twist, realised beautifully by the performance of veteran actor Leung Sing-por.

Bat Girl (Josephine Siao) returns from Singapore to Hong Kong as the singer Barbara to investigate her dad, a trapeze artist’s death. She is orphaned. She stays with her aunt. Her cousin is Sze Wai (Lui Kei), a pulp fiction writer of the superhero, Bat Girl. Encountering injustice, Bat Girl confronts Sze to interrogate about the whereabouts of Wu Wan-Lung (Sek Kin). Bat Girl unites with her friend, Chan Kwong-ying (Lydia Shum). Sze tracks down Bat Girl and is involved in a fight with Lung's marksmen in a nightclub. A private detective, James Bond (Cheng Kwun-Min) helps Lung find Bat Girl to no avail, as she appears in guises. Bat Girl eavesdrops on Lung and realises he was her father's murderer. She revenges on Lung, and a strange female creature (Yung Yuk-yi) appears as the Lung's house's owner. The creature finds that Bat Girl is her daughter. She wrestles with Lung and they are both burnt to death. At last, Sze finds out that his cousin is Bat Girl and they begin a romance.

Ghost-faced To is murdered in a mortuary after paying a visit to Muk Lan-fa. A set of teeth is found missing from another dead body. Lan-fa’s sister Sau-chen follows the leads on a business card To left behind to a dental clinic which suddenly bursts into flame. The news of her sister’s abduction by the infamous Japanese criminal Katsu Saburo soon reaches Lan-fa. Working together with her police friend Ko Cheung to crack the case, Lan-fa analyses photo evidences in minute detail. The duo order the retrieval of a pole that has survived the explosion intact while lying in wait at the clinic. Sau-chen, who has escaped, saves the duo from the chiller where they are detained. Inspector Yeung retrieves the operation plan concealed in the pole and the secret codes in the set of teeth, but the spook is shot dead by Katsu before he could reach the Hell’s Gate and the treasure buried there. Constable Kwan, and others and wipes out the gang at the Hell’s Gate.

A 1967 Cantonese language action film directed by Cheung Wai-Gwong, starring Connie Chan, Adam Cheng and Liu Chia-Liang. Ming-Wai & Ming-Sing, a brother and sister (dual roles played by Connie Chan) who must go undercover in a gang to rescue their uncle.

Director Wong Yiu, recognising the spending power of a new demographic, was looking to create a teenage sensation for the factory girls. It soon became a social phenomenon in the 1960s. Former child star Connie Chan Po-chu fitted the bill perfectly with her doe-eyed innocence framed by silky long hair. In Girls are Flowers, she plays a young tutor falling in love with a handsome boy. However, their road to romance is paved with potholes and speed bumps. Chan's fellow former child star Nancy Sit plays the boy's younger sister who saves the day with her shrewd, nimble-minded plans. Sit's role may be small but with radiance from her glorious smile and beaming personality, she brightens up this musical romantic comedy like a fairy-tale nymph.

The Eighteen Darts (Part 2) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

The Eighteen Darts (Part 1) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

Mona Lam, who works for a swindling syndicate under duress, scours a nightclub for her new prey and finds the rich heir Cheng Siu-chuen. Struggling to find true bliss, the lovers gain the blessing of Lam's second uncle. On the eve of Cheng's father's birthday banquet, Lam is pressured to strike again under the watchful eye of Lucy sent by the man who's pulling the strings on the marionette behind the scenes who has threatened to kill Cheng. The quick-witted woman aborts the operation, claiming to have spotted her previous victims from amongst the guests. Her confession gains Cheng's understanding, but not his father's. The ringleader brings the liaison to an end by blackmailing the father and putting Lam under house arrest. Helping the girl flee, Second Uncle is killed in the commotion. The police act on the father's tip-off and bust the gang, clearing the way for the lovers to tie the knot.

Two orphan boys indulge in petty theft after the war. One, Chow, is caught but gets adopted by a policeman. He turns out a solid young citizen. Lee, the boy who escapes, grows up to be a triad. When the two re-meet, Lee is attracted to Chow’s stepsister. Some years later, Chow is now a cop and vows to smash Lee’s gang. After a struggle with his conscience, Lee agrees to help.

Book Without Words is a 1965 Cantonese martial arts film directed by Chan Lit-Ban and starring Cheung Ching.

'Agent Number Two' Lee Kwok-wai of the resistance troops Red Rattlesnake sets off for Guangzhou to assist Agent Number One in rescuing their comrade Pang Yau-lan from the puppet army. Lee approaches his former lover Lam Ying-tsi, the mistress and trusted aide of the puppet commander Wong Tai-wai, who has fallen prey to the lip service of the beautiful and smart songstress Pak Lai. Following the vandalism of the arsenal, Pak is quick to point the finger of blame at a spy at work. Lam combs their home for clues and finds Lee's recording devices. Furnishing Lee with misleading information, Lam has Lee and associates arrested. Pak appears to their rescue, revealing herself as Agent Number One. The dauntless spy sabotages the enemy's ammunition and communication network, captures the commander before joining her comrades to celebrate a successful withdrawal. (Synopsis based on audiovisual materials)

Leader of the Celestial Devil Gang Mo Fu ends an underling to infiltrate the house of code expert Cheung Yuet-ting in pursuit of the Mafia's secret intelligence. The unyielding man is killed, and the Mafia is framed for the crime. Cheung's instrumental role in the Mafia is succeeded by his daughter Oi-lan, who leads both gangs onto a deadly chase. Just then, Oi-lan's bosom friend Chan Yu-lam emerges from years of oblivion as a Mafia member and offers the wanted woman protection and assistance in retrieving the late father's cache. Mo's underling Lau Kei-fung is assigned the task of playing the confidence game in the Cheung household, preempting Oi-lan from accessing the classified information and abducting both Oi-lan and Chan before the Mafia can reach the key witness. Acting on a tip-off, the police raid the apartment and arrest both gangs. Chan, the undercover police officer, gains both Oi-lan's trust and affection. (Synopsis based on audiovisual materials)

The first appearance of the comic character Old Master Q and friends.

Chuk Tai-ming elopes to Hong Kong with Shum Tsui-hung in defiance of his father but soon succumbs to harsh conditions and ill health. Shum becomes a courtesan to fulfil Tai-ming's last wish of funding his younger brother Chi-ming's studies in Australia, while creating the false impression that she is a rich widow. Chi-ming returns in summer and a chance encounter in the nightclub evolves into a budding romance. Tormented by a love doomed from the start, Shum pretends to despise the poor suitor. The rejection is taken hard by Chi-ming, who snubs the woman in public. Shum plunges into despair, taking gravely ill. Her lawyer Lee Chung-ling finally breaks the silence, making Chi-ming attuned to the woman's unspoken suffering after she's been laid to rest.

During World War II, spy Wu Lai-sheung is instructed by her superior Fan Yeung-shan to murder spy number 13 Cheung Chi-ping. While Wu establishes a relationship with Sakei, the assistant general of the Japanese army, she also gets acquainted with Cheung. Cheung and Wu fall in love. Wu recommends Cheung to become Sakei's driver. Cheung pretends to court the Japanese spy Siu-kuen, but Siu-kuen arranges to kill the spies contacting with him. Cheung has seen through Kuen's identity for long. When Kuen is going to kill Wu, Cheung kills Kuen, Fan compels Wu to kill Cheung. Wu follows the instruction to murder Cheung. After the murder, Wu disappears. After the war, Fan discovers Wu ends up in asylum. When he visits Wu, he tells her of Cheung's innocence. This breaks Wu's heart. Cheung turns out to have seen through Wu's identity for a long time and pretended to have been killed to cover up his identity and facilitate his work. With the truth known and the war ended, Cheung and Wu married.

A young woman returns home from a funeral and becomes embroiled in murder, missing money, a drug syndicate, a police investigation and a mysterious killer who goes by the name of "Vampire Wolf."

After a fatal traffic accident, a community is haunted by a phantom figure.

Hong Kong ghost movie set during wartime. Not to be confused with the South Korean film of the same name from the previous year.

Fantasy / horror.

Cantonese adaptation of Daphne du Maurier's novel Rebecca.

Madam Kum is a well-known dance hall girl. She gave birth to her daughter Yin-fan. Kum gave her to some relatives. Nineteen years go by, and Kum accidentally runs into Fan's husband, Man-fai, in Singapore. She tells him everything. Fai is surprised but accepts the truth. They have a talk and agree not to reveal the truth to Fan. However, Fai promises Kum that he will arrange for her to see Fan. Gum starts to see Fan on public occasions. Bing-chiu, who has been chasing after Fan since college, runs into Fai and Kum. He tells Fan about it. Fan goes to Kum to ask her not to destroy her family. Kum is hurt but still does tell her the truth. She decides to returns to Singapore. She goes to Fan's house to see her once more. Fan is having her birthday party. She insults Kum and throws a glass of wine in her face. Fai cannot stand it anymore and tells his wife who Kum really is. Fan feels guilty. All the others are moved by what Kum has suffered and they start to accept her.

Cheung Yan-lai is imprisoned as he is framed by his elder brother Yan-tsuen. Yan-lai escapes and takes revenge with a quasi-scientific sorcerer, who uses orangutan blood to turn the Yellow Hair Monster into an unparalleled weapon when it drinks human blood. Yan-lai, the Yellow Hair Monster, and the sorcerer, go to confront Yan-tsuen after knowing he will donate a gold Buddha for fund-raising. They are caught in a warehouse. A female ghost kills Yan-tsuen. Heroine Wong Ngang and the Director rush there. They fought with the sorcerer, who dissolves a corpse using a poisonous solvent. It also kills the Monster. Yan-lai gets an electric shock and the sorcerer is scared to death by a vampire. Mother Lo, Yan-tsuen's maid, disguised as the ghost and the vampire. The gold Buddha belonged to her father, who was killed by Yan-tsuen. Yan-tsuen raped her. She sought revenge, takes back the Buddha, and killed Yan-tsuen's wife. Wong Ngang gets the Buddha. She, Wu Ah, and Heung Ngan are satisfied.

Cheung framed Chan For. Chan orders his wife not to tell this to their children, Ah Lan and Hung. His wife passes away. On her deathbed, she asked a neighbour, To Chung-man, to take care of her children. Claiming to be a good friend of their father, Chan For moves in to the bed next to Ah Lan to take care of his children. Hung likes this uncle because he always treats him generously. But Ah Lan finds "Uncle For" weird and enthusiastic. Ah Lan is forced to pay her mother's debt. Hung is suffering from acute appendicitis. To solve Ah Lan's financial problem, Chung-man returns to his rich family and accept an arranged marriage. Ah Lan decides to sell herself to the construction site foreman for one night. Chan For wants to stop his daughter from making this deal, so he agrees to work for Cheung again. The next day he carries out a robbery and is caught. Ah Lan and Chung-man visit him in jail, and hold their wedding ceremony in front of him. He looks forward to the days when he returns.

60s shaw crime film

The Talking Bird (能言鳥) is a 1959 Hong Kong musical fantasy film directed by Bong Luk. The film was produced by Shaw Brothers and is based on the screenplay by Tin Chi Ng.

A Shaw and Sons production

Rejected by Law (Sheung-kwun Kwan-wai), ruffian Koo (Wong Yee) exacts his vengeance by making Law lose her job. When her father is injured at work, her brother Fai and boyfriend Tse resort to obtaining a loan. Koo even kills their creditor and frames the murder on Tse. Law and her brother sow discord between Koo and his mistress, eventually exposing their crime and leading to Tse's acquittal. While retaining her feminie elegance and charm in subtle details, Law resourcefully eliminates all the threats and dangers. Unlike other conventional detective dramas of Cantonese films, this film is filled with a sense of community and grassroot sensibility. Sheung-kwun Kwan-wai impressively demonstrates a great flexibility and versatility in her characterisation and performance of this female detective role.