Yiu Kwang-Chao

Film version of Suo Lin Nang, the popular Peking opera written by Weng Ouhong.

The husband-and-wife team of Ivy Ling Po and Chin Han returned to another Huangmei Opera classic after Lady General Hua Mu-Lan. Helmed by Chow Sze-loke and written by Chang Cheh, the story revolved around two intellectual siblings, Ching Feng-sheng (Chin Feng) and Ching Feng-hsiao (Ivy Ling Po), who were constantly abused by their stepmother Hsia (Kao Pao-shu). Feng-hsiao was engaged to Li Ru-lung (Chin Han) since birth, but the greedy Hsia forced him to forfeit the marriage. When Ru-lung refused, Hsia framed him for thievery and put him behind bars. To rescue her lover, Feng-hsiao dressed as a young man and went to the capital. She then used Ru-lung's name to enter the national exam and was ranked first place. Impressed by Feng-hsiao, the Emperor decided to let her wed the Princess (Fang Ying). On the wedding night, Feng-hsiao revealed the truth to the Princess...

Ling Bo is Lin, a young man engaged to the daughter of a rich man, who now despises Lin because of his family's declining status. Lin visits his beloved fiancee before he heads towards the imperial city to participate in the civil service examination, only to find her maid lying dead in blood. Lin is then accused of murder. How can Judge Bao prove his innocence?

This gripping story centers on the romance between Wang Chin Lung and Sue San. Although they may be perfectly matched when it comes to their love for one other, the two come from remarkably different social ranks. While Chin Lung is the son of a respected government official, Su San is a prostitute, albeit a famous one.

Comedy of Mismatches begins with widow Sun who single-handedly raises her son Yu Lang (Chin Feng) and daughter Zhu Yi (Li Hsiang Chun). One day, Mother Sun sends her children to the temple, where Yu Lang encounters Hui Niang (Pat Ting). Artist Xu Ya is also at the temple, praying that his daughter Wen Gu (Carrie Ku) will find a good husband. Soon after, Wen Gu encounters nobleman's son Pei Zheng (Wai Mao) and the two fall in love at first sight.

The noted actress Li Li-hua, star of more than sixty films since 1947, beautifully portrays the drugged, then disgraced wife of a peddler in the waning days of the Ching Dynasty. To make matters worse, she’s soon framed for her husband’s murder by her rapist - the son of the local magistrate! And even that isn’t the end of her woes. It’s best to have a box of tissues nearby as two expert directors ratchet up the emotional suspense in this consummate tearjerker.

Seventh sister of the celestial world goes down to earth to marry Dong Yong, a young man sold to servitude. However the Jade Emperor orders her to go back to the immortal world.

This Classic Seductive tale of two snakes who assume human forms will send chills of pleasure down viewers' backs. The Lovely Linda Lin Dai (Les Belles, The Kingdom And The Beauty) and margaret Tu Chuan (The Dream of The Red Chamber) play the two sister serpents, Pak Su-cheng and Ching Ching. Su-cheng meets Hsu Hsien (Chao Lei) one day and recognizes him as her savior in another life 1,000 years ago. She marries him to reward him but the snake-human union brings about problems beyond imagination.

Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.

Long unemployed and stone-broke, Shen Jiaguang is dealt a further blow when his wife Lu Xiaoyin has fallen seriously ill and their son Xiaoguang has to quit school.

The Shen couple had six children. For years Mr Shen had been the only one to support the family. One day, Mr Shen was on a crashed plane in Singapore and everyone believed he had died. Mrs Shen then went to Singapore to prepare for his funeral and the eldest daughter took charge of the family. However, the brothers and sisters would never listen to their eldest sister. The second brother was extremely bad-tempered and always beat the others up when they did not listen to him. The fourth sister was extremely gluttonous who would never help with any housework. The eldest sister was annoyed and could do nothing.

A Shaw and Sons production.

Wan Jialiang, a factory worker, and Lu Xiuzhen fall in love and live together. Hou Liang is supported by Dong Yaqin, his cousin, and their lives improve. Desperate to get rid of Jane, who is pregnant, Jialiang plans to make her fall into the sea and die.

A Shaw and Sons production

Spies, Military Documents and Traitors.

A Shaw and Sons production.

Loosely based on Maxim Gorky's The Lower Depths

A Shaw and Sons production.

Li Han-Hsiang directed film.

A Shaw and Sons production

A Shaw and Sons production.

Circus trapeze artist Liu Xiaoniu runs away from the circus. While away, she's tricked by a playboy and then the police mistake her for a prostitute. She returns to the circus but her adoptive father, Liu Yingjie, suffers an accident.

A Hong Kong historical drama

Marriage Angle is a Hong Kong Mandarin-language feature film of the drama genre, written and directed by Wang Yin, produced by Shaw Brothers Studio, Liu Chi and Chow Sze-Ching were the cinematographers.

Meal Time is a comedy film about all the mess with housework that director Yan and his wife had to go through after the maid gave up her job.

A Midsummer Night's Love is about a couple, Li Yuqin and Zhang Tianshi, who faked their marriage but the lies became real, unleashing a series of comic situations.

A Songstress Called Hong Lingyan (歌女紅菱艷) aka Tears of Songstress is a 1953 Hong Kong musical drama film directed by Tu Kuang-Chi. The film was a co-production by Shaws Film Company and Far East Motion Picture Company, and is based on the screenplay by Pan Liu-Dai.

This is a historical drama that was produced by the Shaw Brothers Studio.

Nightmare is a 1953 Hong Kong thriller film written and directed by Yin Wang. The film was produced by Runde Shaw for Shaw and Sons.

Sweet Song For You (勾魂艷曲) aka Song of Romance is a 1952 Hong Kong musical romance film directed by Yin Wang. The film was produced by Runde Shaw for Shaw and Sons and is based on the screenplay by Tan Liu.

An early Drama by the Daai Wa (Da Hua) Film Company

An early Musical by the Hsin Hwa Motion Picture Company.

During a night when Mei Liang and his girlfriend, Sima Qiu-Hong are on the same stage during a play for the Dajiang Theater Company, they receive a visit from Qiu-Hong's former classmate, Xie Yu-Lan. Under Yu-Lan's insistence, Mei Liang decides to break up with Qiu-Hong.

Smash Up (1952 film) (Chinese 蛇蝎美人) also known by the aliases: The Vicious Beauty and Destroy; is a Hong Kong drama film directed by Bu Wan-Cang and produced by Shaw Brothers Studio. It starred Bai Guang, Wong Ho and Yiu Kwang-Chao.

Yuerong is an downtrodden orphan girl. She is taken in by Erhe, a rickshaw driver, whose neighbors, recognizing her intelligence and singing talent, recommend her for opera lessons. However, the manager Liu soon begins to take advantage of her.

This movie is based on the famous Chinese folklore that is more than one and a half millennium old. The same folklore was what the Disney animation Mulan is based on, and similarly, it was what many Chinese movies/operas/plays based on.

Lady Windermere's Fan, Oscar Wilde's play on moral values, is adapted for a setting in Shanghai. Young wife Meilin mistakenly believes her husband is having an affair with a social butterfly and decides to leave for a suitor. Her reputation, about to be ruined because of a misplaced fan, is saved by the social butterfly who turns out to be …Unlike typical Chinese scripts on parental love, the understated familial love in the original play is aligned with Li's preference for the undramatic. Motherly love is portrayed indirectly while emotions run strong yet subdued in the film. Poking fun at social culture of the times, this is Li's earliest extant feature film in a modern setting and a showcase of his modernistic and crisp directorial approach.