Erick Stoll

Police have been killing people in Columbus, Ohio, with near impunity for more than two decades, leaving behind a community bound together by grief – and a system that refuses to call these killings murder. In a searing indictment of the police and justice system at large, educator and curator Ingrid Raphael and journalist Melissa Gira Grant have collaborated in this short film, which spotlights the testimonies and resistance strategies of the loved ones of Henry Green, Tyre King, Donna Dalton and Julius Tate. These are the mothers, sisters, and grandmothers of those who were killed by Columbus police, women seeking justice for their family members, despite knowing that it is unlikely to be found within the system that caused their wrongful deaths.

Следите за репортажами из Индианаполис Стар, которые рассказали историю о насилии над доктором США по спортивной гимнастике Ларри Нассаром и узнали о нём от гимнасток.

This sparkling, irreverent, and deeply emotional piece of creative nonfiction announces the arrival of a standout filmmaking partnership. When their father is hauled away, a colorful trio of brothers — a sibling team to rival Moe, Larry, and Curly — step up to take care of América, their grandmother, in Colima, Mexico. Rodrigo, Diego, and Bruno are stilt-walkers and acrobats and Elvis impersonators and unicycle riders — when not running the family's agriculture warehouse. With a loose, offhanded charm, Stoll and Whiteside capture the family’s natural performative streak in a way that makes even the most explosive, dramatic moments feel organic. The endearing, genuine scenes between Diego and his grandmother celebrate the possibility of multigenerational connection.

This sparkling, irreverent, and deeply emotional piece of creative nonfiction announces the arrival of a standout filmmaking partnership. When their father is hauled away, a colorful trio of brothers — a sibling team to rival Moe, Larry, and Curly — step up to take care of América, their grandmother, in Colima, Mexico. Rodrigo, Diego, and Bruno are stilt-walkers and acrobats and Elvis impersonators and unicycle riders — when not running the family's agriculture warehouse. With a loose, offhanded charm, Stoll and Whiteside capture the family’s natural performative streak in a way that makes even the most explosive, dramatic moments feel organic. The endearing, genuine scenes between Diego and his grandmother celebrate the possibility of multigenerational connection.

This sparkling, irreverent, and deeply emotional piece of creative nonfiction announces the arrival of a standout filmmaking partnership. When their father is hauled away, a colorful trio of brothers — a sibling team to rival Moe, Larry, and Curly — step up to take care of América, their grandmother, in Colima, Mexico. Rodrigo, Diego, and Bruno are stilt-walkers and acrobats and Elvis impersonators and unicycle riders — when not running the family's agriculture warehouse. With a loose, offhanded charm, Stoll and Whiteside capture the family’s natural performative streak in a way that makes even the most explosive, dramatic moments feel organic. The endearing, genuine scenes between Diego and his grandmother celebrate the possibility of multigenerational connection.

This sparkling, irreverent, and deeply emotional piece of creative nonfiction announces the arrival of a standout filmmaking partnership. When their father is hauled away, a colorful trio of brothers — a sibling team to rival Moe, Larry, and Curly — step up to take care of América, their grandmother, in Colima, Mexico. Rodrigo, Diego, and Bruno are stilt-walkers and acrobats and Elvis impersonators and unicycle riders — when not running the family's agriculture warehouse. With a loose, offhanded charm, Stoll and Whiteside capture the family’s natural performative streak in a way that makes even the most explosive, dramatic moments feel organic. The endearing, genuine scenes between Diego and his grandmother celebrate the possibility of multigenerational connection.

Amid the nation’s ongoing debate over health care reform, this bracing new documentary examines the everyday realities of Americans who lack access to affordable medical treatment. Filmed during three days in the operation of a “no-cost” clinic set up annually at Bristol, Tennessee’s NASCAR speedway, Remote Area Medical documents the range of medical care the eponymous organization provides to low-income patients in the heart of Appalachia.