Elle-Máijá Tailfeathers
Рождение : 1986-01-01, Cardston, Alberta, Canada
История
Elle-Máijá Tailfeathers, also known as Máijá Tailfeathers, is a Blackfoot and Sami actor, producer, filmmaker and curatorial assistant from the Kainai First Nation. She divides her time between Vancouver, Canada, the Blood Reserve and the Sapmi territory in Norway.
She
Set within the fluidity of time, touch, realism and reverie. Some may call this magic realism. Based within Indigenous knowledge and way of life, this story allows two people to heal, through touch, calm, love and patience in a fantastical space that leaves the audience dreamlike and yet it is dangerous and violent, there is love.
Story Editor
In writer-director Sophie Jarvis’ compelling debut, set in the seemingly peaceful Okanagan, a distraught cannery worker discovers an invasive insect that could threaten the livelihood of her entire town.
Niska
Недалёкое будущее. Женщина вынуждена вступить в подпольную банду, чтобы спасти свою дочь, находящуюся в заложниках в одном из государственных учреждений.
Script Consultant
After the tragic death of her daughter Lily, Hannah searches for ways to reconnect and process her grief through increasingly daring and innovative artistic expression. Hannah becomes obsessed with death, children and duality, to the point at which sudden appearances of Lily’s ghost and Hannah’s own doubles begin to manifest - possibly from her imagination or perhaps from the fringes of reality. Diving deep into her art, using unprecedented photographic techniques, Hannah teeters on the edge of madness as she struggles to come to terms with her loss. Inspired by the life of photographer Hannah Maynard (1834-1918).
Creative Consultant
After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.
Sound Recordist
Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.
Additional Photography
Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.
Producer
Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.
Writer
Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.
Director
Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.
Joss
В индейской резервации Ред Кроу начали оживать мёртвые: выпотрошенная рыба, пристреленная из жалости собака. Зараза не обошла стороной и людей, которые, превратившись в безмозглых агрессивных тварей, стали бросаться на здоровое население. Но у коренных жителей Америки обнаружился иммунитет к неизвестному вирусу. Теперь они вынуждены жить на ещё меньшей огороженной территории и всеми силами противостоять зомби-чуме, ведь даже при устойчивости к этому страшному заболеванию быть съеденным заживо — то ещё удовольствие.
Áila
Айла и Рози — представительницы коренного населения Канады, живущие в разных слоях общества. Однажды Айла встречает Рози на улице. Беременная девушка брела под дождем, сбежав из дома от жестокого сожителя. Айла приглашает Рози к себе. Она глубоко переживает боль Рози, чувствуя между ними крепкую связь.
Writer
Айла и Рози — представительницы коренного населения Канады, живущие в разных слоях общества. Однажды Айла встречает Рози на улице. Беременная девушка брела под дождем, сбежав из дома от жестокого сожителя. Айла приглашает Рози к себе. Она глубоко переживает боль Рози, чувствуя между ними крепкую связь.
Director
Айла и Рози — представительницы коренного населения Канады, живущие в разных слоях общества. Однажды Айла встречает Рози на улице. Беременная девушка брела под дождем, сбежав из дома от жестокого сожителя. Айла приглашает Рози к себе. Она глубоко переживает боль Рози, чувствуя между ними крепкую связь.
Director of Photography
People often think of Vancouver as a new city, when in fact this region has been occupied for 9,000 years. This film aims to correct that with a meaningful reminder of the history and prehistory of this land and her first people.
Producer
People often think of Vancouver as a new city, when in fact this region has been occupied for 9,000 years. This film aims to correct that with a meaningful reminder of the history and prehistory of this land and her first people.
Editor
People often think of Vancouver as a new city, when in fact this region has been occupied for 9,000 years. This film aims to correct that with a meaningful reminder of the history and prehistory of this land and her first people.
Director
People often think of Vancouver as a new city, when in fact this region has been occupied for 9,000 years. This film aims to correct that with a meaningful reminder of the history and prehistory of this land and her first people.
Director
This ultra-short film proves that walls are real and borders are imaginary with an animated critique of long-term detention for minors in immigration centres.
Nikki Taylor
Based on a true story, a powerful study of the dysfunction and disorder in the police and criminal justice systems that allowed a wily psychopath to murder nearly 50 marginalised women from Vancouver's Downtown Eastside.
Jen
Эвери Форд - известный актер, сделавший имя и карьеру, играя крутого ковбоя в популярном сериале. Но сейчас дни его славы остались в прошлом. Сьемки сериала приостановлены, а он зарабатывает на жизнь, снимаясь в рекламе. Неожиданно ему поступает заманчивое предложение «поработать лицом» - изображать ковбоя в рамках рекламной кампании конно-спортивного комплекса. Правда для этого ему придется отправиться в глухую провинцию, сменить нью-йоркский пентхаус на хижину в лесу, а дизайнерскую одежду на джинсы и сапоги. Короче, придется притворяться настоящим ковбоем...
Director
Five Indigenous women filmmakers from across Canada challenge one another to make a film under a set of restrictions tailored to each filmmaker.
Five Indigenous women filmmakers from across Canada challenge one another to make a film under a set of restrictions tailored to each filmmaker.
Writer
Bihttoš is an unconventional documentary that explores the complex relationship between a father and daughter. Through animation, re-enactments, and archival photos, writer/director Elle-Máijá Tailfeathers delves into the dissolution of her parents’ mythic love story and how it has colored her perception of love in her adult life.
Bihttoš is an unconventional documentary that explores the complex relationship between a father and daughter. Through animation, re-enactments, and archival photos, writer/director Elle-Máijá Tailfeathers delves into the dissolution of her parents’ mythic love story and how it has colored her perception of love in her adult life.
Director
Bihttoš is an unconventional documentary that explores the complex relationship between a father and daughter. Through animation, re-enactments, and archival photos, writer/director Elle-Máijá Tailfeathers delves into the dissolution of her parents’ mythic love story and how it has colored her perception of love in her adult life.
(voice)
Abandoned cars rest silently in fields for decades, still holding secret conversations within their bodies.
Writer
After the justice system fails the survivor of a brutal, racially-driven sexual assault, she becomes a motorcycle-riding, ass-kicking vigilante who takes on the attackers of other women who've suffered the same fate.
Director
After the justice system fails the survivor of a brutal, racially-driven sexual assault, she becomes a motorcycle-riding, ass-kicking vigilante who takes on the attackers of other women who've suffered the same fate.
Nelly/News reporter
After the justice system fails the survivor of a brutal, racially-driven sexual assault, she becomes a motorcycle-riding, ass-kicking vigilante who takes on the attackers of other women who've suffered the same fate.
Sound Mixer
A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.
Editor
A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.
Location Manager
A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.
Costume Designer
A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.
Producer
A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.
Writer
A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.
Director
A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.
Earth Woman
A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.
Amazonian Model Girl
В этом фильме Селена Гомез играет Мэри, а современная Золушка дополнена танцевальной обувью вместо хрустальной туфельки. Эндрю Сили играет Джоуи, Прекрасного Принца, который ищет девушку своей мечты. Может ли Мэри быть ей?
