Mehdi Pakdel

Mehdi Pakdel

Рождение : 1980-01-01, Isfahan, Iran

История

Mehdi Pakdal is an actor of cinema, theater, and television who was born in 1980 in Isfahan, Iran. He began his professional career with theater, and his first time in front of the camera was for "Blue" by Hamid Labkhandeh. He has also been featured in the "The First Night of Peace" by Ahmad Amini and "Setayesh" directed by Saed Soltani movies. Among his other activities in the cinema "The Lost Strait" by Bahram Tavakoli, the "Paper House" made by Mehdi Sabaghzadeh and "Tambourine" by Parisa Bakhtavar can be named.

Профиль

Mehdi Pakdel

Фильмы

At the End of Evin
A transsexual named Amen is optimistically planning to do gender reassignment surgery but ends up being sent to prison. Being a transsexual was hard enough in Iran for Amen, let alone the misfortune of being replaced as a murderer.
The Intoxicated Eyes
The film tells the story of an old tar maker who interacts with a group of young people who practice music at home. In his own mind, he sometimes imagines Iranian music masters instead of them, and we hear enduring Persian songs from those masters.
Behind the Wall of Silence
The story of a young girl Setareh who is trying very hard to make a change in her life and others to the better.
Ущелье Абу Горайб
1988 год. Ирано-иракская война зашла в тупик, но финал побоища был уже не за горами. 13 марта Саддам Хусейн бросил на передовую тысячи солдат и сотни танков. Весеннее наступление было весьма удачным для Ирака и сопровождалось массовым применением боевых газов (табун и VX), при помощи которых армия Саддама взломала вражескую линию обороны и двинулась вперед, на далекий Тегеран. Истощенная иранская армия не успела зализать раны и ее бойцы вновь были вызваны на передовую, прямо из начавшихся отпусков. Одно из решающих сражений войны произошло в ущелье Абу Горайб. Захват этого ущелья должен был поставить Исламскую республику на грань тотального поражения, но последователи аятоллы совершили подвиг и остановили врага. Этот иранский фильм рассказывает о малоизвестном эпизоде многолетней войны и делает это в крайне необычной стилистике.
House of Paper
A famous journalist who was out of job for a few years after being arrested, is living with his only daughter in Iran . She is also a journalist. Death of a writer returns an old love from ...
Midday Event
Keshmiri
In the the tumultuous neighborhoods of Tehran, in the winding streets and alleys and displaced and confused in every little houses... Does this the rummage will be the end?
Мухаммад: Посланник Бога
Abu Talib
Герой осознает свою великую миссию.
Sometimes
The story of 3 Iranian couples who one day after attending a party confront a serious tragedy.
Sometimes
Cinematography
The story of 3 Iranian couples who one day after attending a party confront a serious tragedy.
Tomorrow
Director
The story narrates the story of a girl who has a passion for photography and travels with her mom to a photography trip that happens on the trip.
The Next Morning
A woman wakes up to find that no one recognizes her, through the course of her day she starts to come to some shocking realizations
Raspberry
Hamid and Homa are incapable of having a baby. Rezvan accepts to carry their child in her uterus through artificial impregnation until the child is born. When Homa dies and Hamid loses his memory in a car accident, things get complicated.
The Freeway
When an ex-lover pours acid on a clergyman and his fiancé, the clergyman and his brother-in-law kill the man in an incident.
Nocturnal
A young woman tries to deal with the insight that her brother is dying. Shabnam is a photographer and sister of a famous war photographer, Hamed. Just before she goes to a party, she is told that the brother has been injured and is in hospital. Shabnam is dragged into a series of strange events, where the boundary between rus and reality is blurred. The debuting feature film directors are also film and art critics in Iran, Bonakdar himself artist - hardly surprising given the film's strong image awareness. It also has to be overlooked with the bit-wise banal depictions of cocaine scrambling and dangerous men.