Igor Čamo

Аида — переводчица при нидерландском контингенте войск ООН. В Сребренице живут её муж и сыновья, им грозит гибель. Обе стороны конфликта игнорируют ультиматум ООН, и Аида понимает, что голубые каски не остановят кровопролитие. Используя инсайдерскую информацию, женщина с риском для жизни пытается спасти свою семью.

April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.

Routinely, but with dedication, Mare runs her small family’s modest household, even though a new washing machine is not the only thing that is missing. When a chance encounter rekindles her libido, she does not hold back for long.

Пять трогательных историй о материнстве, объединенных местом действия, а именно городом Сараево.

Anka, 12, and Yelena, 45, know each other from the neighborhood grocery store where they spend their day, one inside, the other outside. One evening, an unexpected visit provokes an incident that both women will suffer from.

A possessive mother, a loving son, the fiancée's first visit, a mute witness... Four players around a pie.

After many years in Paris, Damir, professional saxophonist, returns to Sarajevo for a unique concert. One of his friends asked him to bring a gift to her best friend, Elma, who is waiting for Damir with surprises...

Armin has been unemployed for a long time, and in desperately need of a job. His wife Jasmina is pregnant, and his son Edin has behavioral problems at school.

It’s like almost all is lost. Yet still they are here – abandoned bungalows, an artificial lake, dirty plastic bottles, lost donkeys and stray dogs, draining pipes running over fields of salt, deserted factories, statues of revolutionaries, concrete playgrounds covered with weeds, rotten fruit, folded T-shirts, pop songs, decades of forgetting, a single room with a blue tent inside. And it felt like a kiss.

Thursday resulted from the famous Danish CPH-Dox projects whereby two filmmakers (one European, one non-European) collaborate. Suwichakornpong and Kameric wrote visual dialogues from Asia and Europe, as it were.

В Восточной Боснии, почти на границе с Сербией, среди живописной природы городка Вишеграда раскинулся Мост на Дрине. Заинтересованная одноимённым романом Ивана Андрича молодая австралийская туристка Ким решает поехать в городок и увидеть архитектурное чудо своими глазами. Путеводитель рекомендует остановиться в уютном отеле «Вилина Влас» и насладиться окружающим пейзажем. Но сняв номер, Ким совершенно случайно узнаёт реальную историю этого места, которую составитель гида постарался вычеркнуть из памяти города. Обычная туристическая поездка становится экскурсией в обитель мёртвых. Ким мучается вопросами, но не находит ответы. О чём можно молчать? О чём не стоит помнить? Замолчанная память во благо — бывает ли так?

A microcosm of the fathomless suffering that remains more than 16 years since the siege of Sarajevo ended, writer-director Aida Begic’s follow-up to her 2008 Cannes Critics’ Week Grand Prize-winning debut Snow tells the story of two orphaned siblings struggling in a transitional society where only the fittest survive.

Loving young couple Luna and Amar try their best to overcome unexpected obstacles that threaten their relationship. After Amar's dramatic change in a fundamentalist community, Luna tears herself apart searching if love is truly enough to keep the couple together on the path to a lifetime of happiness...

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.

Mahir is married to Geraldine for three years and still they have no children. So Mahir becomes convinced that he is pregnant. From that moment, he keeps throwing up.

Эсма, мать-одиночка, живет со своей двенадцатилетней дочерью Сарой в районе Сараево, который называется Грабавица. Жизнь здесь все еще восстанавливается после югославских войн 1990-х годов. Едва сводя концы с концами на нищенское пособие от правительства, Эсма устраивается официанткой в ночной клуб. Ей трудно работать по ночам, и она страдает, что вынуждена проводить мало времени с дочерью. Эсма не может забыть об ужасных событиях прошлого и начинает посещать занятия по групповой терапии в местном Женском Центре. Сара, зловредная девчонка-сорванец, забывает о любимом развлечении, футболе, когда начинает дружить с Самиром, который учится в ее классе.

Dado Bratovic is comic-strip artist from Sarajevo. In 1996, after the war, he goes to get his ID card issued and finds out that he was reported dead just after the war started in 1992. Now he has to prove that he is alive.