Producer
The Haywain by John Constable is such a comfortingly familiar image of rural Britain that it is difficult to believe it was ever regarded as a revolutionary painting, but in this film, made in conjunction with a landmark exhibition at the V&A, Alastair Sooke discovers that Constable was painting in a way that was completely new and groundbreaking at the time. Through experimentation and innovation, he managed to make a sublime art from humble things and, though he struggled in his own country during his lifetime, his genius was surprisingly widely admired in France.
Director
The Haywain by John Constable is such a comfortingly familiar image of rural Britain that it is difficult to believe it was ever regarded as a revolutionary painting, but in this film, made in conjunction with a landmark exhibition at the V&A, Alastair Sooke discovers that Constable was painting in a way that was completely new and groundbreaking at the time. Through experimentation and innovation, he managed to make a sublime art from humble things and, though he struggled in his own country during his lifetime, his genius was surprisingly widely admired in France.
Director
The contrast between the majestic statues of Easter Island and the desolation of their surroundings is stark. For decades Easter Island, or Rapa Nui as the islanders call it, has been seen as a warning from history for the planet as a whole - willfully expend natural resources and the collapse of civilization is inevitable.
Producer
Stephen Smith explores the extraordinary life and work of the virtuoso jeweller Carl Faberge. He talks to HRH Prince Michael of Kent about Faberge items in the Royal Collection and to Russian billionaire Viktor Vekselberg, who spent $100 million acquiring nine exquisite Faberge eggs. The bejewelled trinkets Faberge made for the last tsars of Russia in the twilight of their rule have become some of the most sought-after treasures in the world, sometimes worth millions. Smith follows in Faberge's footsteps, from the legendary Green Vaults in Dresden to the palaces of the tsars and the corridors of the Kremlin museum, as he discovers how this fin de siecle genius transformed his father's modest business into the world's most famous supplier of luxury items.
Director
Stephen Smith explores the extraordinary life and work of the virtuoso jeweller Carl Faberge. He talks to HRH Prince Michael of Kent about Faberge items in the Royal Collection and to Russian billionaire Viktor Vekselberg, who spent $100 million acquiring nine exquisite Faberge eggs. The bejewelled trinkets Faberge made for the last tsars of Russia in the twilight of their rule have become some of the most sought-after treasures in the world, sometimes worth millions. Smith follows in Faberge's footsteps, from the legendary Green Vaults in Dresden to the palaces of the tsars and the corridors of the Kremlin museum, as he discovers how this fin de siecle genius transformed his father's modest business into the world's most famous supplier of luxury items.
Director
A documentary about portrayals of winter in art
Camera Operator
The only two survivors of the Treblinka concentration camp recount the horrors they experienced and tell how their lives were after escaping during a revolt in 1943.
Director
The only two survivors of the Treblinka concentration camp recount the horrors they experienced and tell how their lives were after escaping during a revolt in 1943.
Director
Michael Grade traces the raucous history of the music hall in a revelatory journey that takes him from venues such as Wilton's Music Hall in London to Glasgow's once-famous Britannia.
Director
Documentary looking at how the British landscape has been depicted, from Flemish beginnings in the court of Charles I to the digital thumbstrokes of David Hockney's iPad.
Director
An alternative history of the 20th century avant-garde featuring the dramatic lives and works of eight artists who most made the art colony of St Ives in Cornwall, from Kit Wood and Alfred Wallis to Barbara Hepworth and Ben Nicholson.
Camera Operator
Robert Llewellyn examines the enduring appeal of submarine movies, finding a beached Cold War Russian nuclear sub on the Medway and WWII German U-boat pens on the French coast.
