Carey L. Hastings

A young Russian woman escapes persecution in her country and makes her way to the United States. Shortly after her arrival she meets an American millionaire, John Colton.

Convicted in a revolutionary conspiracy, a man rashly states that he wishes never again to hear the name of the United States of America. The judge grants him his wish, sentencing him to life aboard a ship always at sea, aboard with sailors under orders never to let him hear of his homeland in any way. The punishment nearly destroys him, while changing him thoroughly.

Adele has grown up in a tenement, but she longs for greater things. She gets her chance at the stage when her mother runs into an old friend, Blanche. Blanche has been working steadily in the theater, and she helps Adele get work. The young girl finds romance with Vincent Harvey, an aspiring composer. One day Adele suffers an accidental fall out of a window.

The Thanhouser Co. has reissued a number of its surviving films on video. FIRES OF YOUTH existed at around 52 minutes in its original release. A shortened version running just over 31 minutes has survived at the George Eastman House and has now been released by Thanhouser. Jeanne Eagels does well as the neglected young daughter in a factory town. She appears in 22 scenes and delivers a sensitive performance.

The production vindicated the new feature-length movie format by restoring several characters, plot complications, and atmosphere that had been truncated in Thanhouser’s 1910 version of less than one-sixth the length.

In "The World and the Woman", Jeanne Eagels plays Mary, a prostitute (which is implied by her walking the streets and being hassled by policemen) who reluctantly takes a better position at a country lodge as a maid. In this woodland community, she attends church and the path to Salvation becomes clear to her. Through Mary's faith, the injured folk of the countryside are healed. However, her old employer, whose lustful advances she'd previously spurned, still has designs on her.

Audrey Munson (a real-life 'perfect' model for numerous Beaux-Arts sculptors) first appeared artistically nude as a sculptor's model, recreating classic artistic (nude) paintings in George Foster Platt's controversial film from the Mutual Film Corporation. In fact, the film told the story of her own life. This film has generally been regarded as the first non-pornographic American film to feature nudity. This was the first known film in which a leading actress stripped down to be naked, making her the first nude film star. (filmsite.org)

Comedy about a down-and-out vaudeville team who attempt Shakespeare and destroy their career.

A series of flashbacks where a penniless, friendless tramp and his dog relates the story of his downfall due to drink (http://thanhouser.org/).

Born in a prospector's camp, orphaned by a flood and taken care of by relatives to whom she was unwelcome, Mercy grew up dodging blows and curses with equal dexterity and indifferent success.

Little Helen, Mayor Southwick's child, straying away from an automobile party, gets lost in the woods. She comes to the house where the her father's political rival holds his secret conferences, and he orders his housekeeper to keep guard over the child while he motors to the city. His plan is to hold the child until her father has signed the bills he wants passed.

With her week's wash only half done, Diana drops her work to peruse the Paris fashion magazines. Poring over the beautiful fashions delineated in the highly colored pages of the publications, Diana falls asleep. She dreams that she is wealthy and a society leader in Washington. A short film (273 meters) which marked James Cruze's debut as director.

A silent film drama directed by Carroll Fleming.

The film's heroine is a dancer of world-wide reputation who, in the days of her struggle, has offended the story's villain.

The Woman Pays is a 1914 silent film

A one-reel crime drama with crooks, ruses, kidnapping, escape, and a twist, all wrapped in a coherent narrative.

A society woman who lives in the suburbs near the sea had laid her plans to insure the marriage of her daughter to a wealthy young banker.

A foundling is raised in a convent and becomes a nun there, until she falls in love with a wounded soldier under her care. When she leaves the convent, a statue of the Virgin Mary comes to life and assumes the girl's appearance to carry on her work.

The banker's motto was "Everyone for himself, and me first." The girl believed in aiding the poor, and that wealth carried with it an obligation to be useful. The father admired his beautiful daughter, even though he did not understand her. She loved him and hoped some day to bring him to a realization of his duty toward the helpless and friendless. Before this happened, the clash came.

One little girl lived in the country. She was a model child, everybody admitted it, but it cannot be denied that she was more or less of a cry-baby and a coward.