Producer
In 1992, Reza Abdoh wrote and directed a movie called The Blind Owl. It uses many of the actors who have come to constitute the Dar A Luz company, including Tony Torn, Tom Fitzpatrick, Juliana Francis, and Tom Pearl. It will disappoint those who approach it looking for a film analogue of the “faster and louder” aesthetic that critics have used to characterize much of Abdoh’s stage work. The Blind Owl does use a variety of techniques reminiscent of his stage direction, giving it an unusual theatricality.
Cinematography
In 1992, Reza Abdoh wrote and directed a movie called The Blind Owl. It uses many of the actors who have come to constitute the Dar A Luz company, including Tony Torn, Tom Fitzpatrick, Juliana Francis, and Tom Pearl. It will disappoint those who approach it looking for a film analogue of the “faster and louder” aesthetic that critics have used to characterize much of Abdoh’s stage work. The Blind Owl does use a variety of techniques reminiscent of his stage direction, giving it an unusual theatricality.
Director
Reviewers found this art film extraordinarily grating even for a film of the "high art" genre but admitted that some of its imagery was striking and original. The ostensible subject of this basically storyless film, shot with black-and-white and color segments, is the depressing, aimless, and futureless life of a sodden former trumpet player in the slummiest sections of Los Angeles. However, the main theme seems to be the imagery the film captures of the bleakest and most decayed portions of that famous city. Another plus is the film's jazz-oriented soundtrack.
The autopsy of a deceased girl finds that the victim had died long before the accident. Taking over the case, "Grandpa" and his assistant, Panaitescu, discover that the perpetrator of the false accident is being blackmailed.
