Ture Sjölander

Ture Sjölander

Рождение : 1937-07-19,

История

Ture Sjölander is a Swedish photographer and multi-artist. He is an early pioneer of computer animation. Beginning in 1964, his electronic images were being broadcast by Sveriges Television AB (SVT), including "TIME" (1965/66 - Ture Sjölander and Bror Wikström), "Monument "(1968 - Ture Sjölander and Lars Weck) and "Space in the Brain" (1969 - Ture Sjölander, Bror Wikström, Sven Höglund and Lasse Svanberg).

Профиль

Ture Sjölander

Фильмы

Space in the Brain
Still Photographer
Image analysis in slow motion. Distortion and reversed reality perspective.
Space in the Brain
Director
Image analysis in slow motion. Distortion and reversed reality perspective.
Monument
Director of Photography
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.
Monument
Conceptual Design
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.
Monument
Director
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.
Time
Director
A concert at the Golden Circle with Don Cherry and his quintet was filmed and then processed to an art movie using various optical effects.