Benedita da Silva

Benedita da Silva

Рождение : 1942-04-26, Rio de Janeiro, Rio de Janeiro, Brazil

Профиль

Benedita da Silva

Фильмы

The Coup d'État Factory
Benedita da Silva
Brazil has a long tradition of coup d'états. These coups would have not been viable without the support of the big media, particularly TV Globo. Two Brazilian journalists in the UK reveal the manipulative tactics of these organisations.
Пеле
Self
От выдающегося таланта до звания национального героя: этот документальный фильм рассказывает о невероятном пути, пройденном Пеле в непростое для Бразилии время.
Terceiro Lado
Herself
De Cabral a George Floyd: Onde Arde o Fogo Sagrado da Liberdade
Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
Filhas de Lavadeiras
herself
Stories of black women who, thanks to the relentless toil of their mothers, were able to attend school and retrace the paths treaded by their ancestors. Their memories, joys and sorrows become present as a possibility for a new fate, transforming the hard work of the washerwomen in a spectacle of life and fulfillment.
Pitanga
Self
This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. He career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. Pitanga deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.
Intermissions
Herself
Intermissions follows Lula during the hectic election campaign for the presidency in 2002. Lula gave filmmaker João Moreira Salles and his crew complete access, and the result is an intimate documentary of what went on behind the scenes. Sometimes, Lula is afraid that he will lose his freedom as president. Combined with Lula's candor, the film's observational style provides some very special insight into one of Brazil's most popular leaders.
Babilônia 2000
Self
Documentary on poor people living in a slum in Rio de Janeiro, on the occasion of New Year's Eve of 1999.
A Dívida da Vida
The Memory Thread
Herself
A panorama of the Brazilian black experience, starting with the figure of the semi-illiterate popular artist and employee of a salt mine Gabriel Joaquim dos Santos.
Benedita da Silva
Mulheres: Uma Outra História
Self
Filmed as Brazil was transitioning back into a democracy after over two decades of dictatorship, ‘Mulheres: uma outra história’ focuses on various aspects of women's participation in the Brazilian political scene and features interviews with some of the 23 women newly elected to the Constituent Assembly who managed to gain the approval of some of their proposals for the Brazilian Constitution which was being written at the time. The film features appearances from suffragist Carmen Portilho, who reminds viewers about the long history of struggle for women to earn the right to vote in the country, and Jandira Feghali and Benedita da Silva who would become some of the most influential political leaders in the country’s history.
Abolição
Herself
In 1988, the centenary of abolition of slavery in Brazil, Zózimo Bulbul made this powerful historical analysis of racial issues in his country. This documentary provides an in-depth look through extensive archival researching and interviews of key figures who were involved in preserving black culture. Aside from historical testimony, this epic documentary also points to the current relevance of facing the racism that still confronts the black population in Brazil.
Our Lives
The documentary addresses the stereotypes that imprison both men and women, the prejudice against women at the time and the need to legalize abortion to avoid the damage caused by illegal abortion.
A Estética da Luta
About Rio de Paz