Bruno Lourenço

A bear is sighted somewhere in the northwest of Trás-os-Montes. The animal causes a natural uproar, but his existence seems to be called into question by some.

A bear is sighted somewhere in the northwest of Trás-os-Montes. The animal causes a natural uproar, but his existence seems to be called into question by some.

Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical.

In the year when cinema was paralyzed in Portugal due to lack of funding, a group of friends embarks on a mysterious expedition to see wolves in their natural habitat, but ends up being trapped in a house without much to do. The night goes by and the expedition’s main goal seems increasingly compromised until the biologist who promised them adventures shows up.

A ten year-old boy faces up to the struggles of life in a summer camp. It’s not easy to be ignored by the girl of his heart or seeing his dormitory vandalised by adolescent thugs. Fortunately, in the forest, the wild haggis insists on remaining out of sight.

Tiago is a final-year secondary school student who has failed to graduate twice. Despite praying to the divine, he will fail once again. Between lying to his benevolent mother and giving in to the temptation of a school trip with his girlfriend, Tiago is faced with making decisions. Tiago may not be a lost case.

Умирая, эксцентричная старушка просит двух соседок разыскать некоего мужчину. Женщины находят незнакомца, который рассказывает им трогательную историю их любви в колониальной Африке и их преступления, после которого они больше никогда не виделись.

Умирая, эксцентричная старушка просит двух соседок разыскать некоего мужчину. Женщины находят незнакомца, который рассказывает им трогательную историю их любви в колониальной Африке и их преступления, после которого они больше никогда не виделись.

Jorge, a very shy young man, works as bellboy in a Lisbon hotel and lives in a guesthouse where he is constantly harassed by the owner’s daughter. As he tries to resist her charms, the boy dreams of one thing only: to incarnate the singer Tony de Matos. This obsession leads him to sign up for an unique karaoke contest, where he will finally be able to give life to his longtime hero. And it’s amid a group of strange characters that Jorge will understand that, after all, he is not alone.

Jorge, a very shy young man, works as bellboy in a Lisbon hotel and lives in a guesthouse where he is constantly harassed by the owner’s daughter. As he tries to resist her charms, the boy dreams of one thing only: to incarnate the singer Tony de Matos. This obsession leads him to sign up for an unique karaoke contest, where he will finally be able to give life to his longtime hero. And it’s amid a group of strange characters that Jorge will understand that, after all, he is not alone.

A 2008 short made in accompaniment with Our Beloved Month of August, documenting Gomes's and his crew's hapless search, during 2007's carnival, for one of Arganil's most storied and elusive characters (who does, in fact, ultimately appear as an interviewee/player in the finished film). Paulo "Miller" is known for taking a dangerous jump into the Alva from a bridge each year during carnival, but what this film is about is, in keeping with the free-roving feature, much less the subject himself than Gomes and co.'s inability to pin him down; not only does he not do his famous jump during this year's carnival, but an ostensible technical/audio failure (as with the feature, it's very difficult to say how much of this film is "fact," how much invented) during Gomes's initial on-camera meeting with Paulo "Miller" leads to five minutes of lip-readers attempting to decipher their conversation.

This is the way you hold the racket to play a forehand. Just move your arm back, the left shoulder facing the ball, step forward with your left foot, hitting the ball.”