Mauricio Samaniego

During the 80´s the left wing movement Alfaro Vive Carajo operated in Ecuador. The traits of this aggrupation were: critique to the orthodox political thinking, frantic growth of the organization, spectacular and clever actions, and the devastating way that the government fought them. A quarter of century later, the survivors tale the story that was hidden and disguised.

During the 80´s the left wing movement Alfaro Vive Carajo operated in Ecuador. The traits of this aggrupation were: critique to the orthodox political thinking, frantic growth of the organization, spectacular and clever actions, and the devastating way that the government fought them. A quarter of century later, the survivors tale the story that was hidden and disguised.

A drama set in turbulent, turn-of-the-millennium Ecuador and centered on a young man who begins to develop complicated feelings for Juano after he saves him from a beating.

Elena comes back to Ecuador to help her father overcome his illness. She spends most of her time between drugs and alcohol. While visiting her grandpa in the Andes Elena gets involved in the fight for water access in an indigenous community. She gradually understands that among family secrets, corruption and dark perversions commitment and beauty can emerge.

Elena comes back to Ecuador to help her father overcome his illness. She spends most of her time between drugs and alcohol. While visiting her grandpa in the Andes Elena gets involved in the fight for water access in an indigenous community. She gradually understands that among family secrets, corruption and dark perversions commitment and beauty can emerge.

Elena comes back to Ecuador to help her father overcome his illness. She spends most of her time between drugs and alcohol. While visiting her grandpa in the Andes Elena gets involved in the fight for water access in an indigenous community. She gradually understands that among family secrets, corruption and dark perversions commitment and beauty can emerge.

Documentary regarding Ecuadorian militant group cum political party "Alfaro Vive Carajo" from their start in the 80s to their unexpected return to action in 2007.

One day five women from Quito, friends in their teens, decide to get back together after fourteen years. Helena is waiting for her second child, Marina lives the ups and downs of infidelity, Diana, an early widow, shares her loneliness with her 15 year old daughter and Tamara has not abandoned the random life of nightclubs, men and drugs. The purpose of their get-together is to visit their old classmate, Alejandra, who is consumed by an illness.

1809-1810: mientras llega el día is a 2004 Ecuadorian historical-dramatic film, directed by Camilo Luzuriaga and starring Marilú Vaca, Aristides Vargas and Gonzalo Gonzalo. The plot is based on the book by Juan Valdano, and revolves around the events that took place in the city of Quito between August 10, 1809, when the First Cry of Independence took place in the Spanish colony of the Presidency of Quito, and on August 2, 1810, when the Massacre of the Próceres occurred in the hands of the peninsular authorities.

1809-1810: mientras llega el día is a 2004 Ecuadorian historical-dramatic film, directed by Camilo Luzuriaga and starring Marilú Vaca, Aristides Vargas and Gonzalo Gonzalo. The plot is based on the book by Juan Valdano, and revolves around the events that took place in the city of Quito between August 10, 1809, when the First Cry of Independence took place in the Spanish colony of the Presidency of Quito, and on August 2, 1810, when the Massacre of the Próceres occurred in the hands of the peninsular authorities.

Когда популярный тележурналист из Майами, чей «конек» — сенсационные репортажи, отправляется в приморскую деревушку на Эквадоре для расследования серийных убийств детей, его личные амбиции переходят допустимые пределы и приводят к трагическим последствиям.

The world of Salvador, a young and naive petty thief is changed by the arrival of his cousin Angel, an ex-convict in search of easy money, and with a hideout. Salvador gets wrapped up in Angel's twisted dealings in an attempt to escape from his suffocating family, dragging along his family and friends, in his criminal path. Where will this all lead?

Between Marx and a Naked Woman is the adaptation of a novel written by Ecuadorian Poet, Jorge Enrique Adoum. The scenes of this film insert us into Ecuador in the sixties, when the electoral struggle, convoked by the military government for a new return to democracy, is in full force. Galvez’s left-wing party must elect its candidate, but he is shoved to one side because of the criticism of the party’s political leadership. While his struggle becomes bitter, he must withstand the frustration of not being able to offer full love to Margaramaría, another party member.