Editor
В картине рассказывается о группе людей, отправившихся в сирийский лагерь на Ближнем Востоке, чтобы, рискуя жизнью, спасти женщин, которых ИГИЛ удерживает как сексуальных рабынь.
Director of Photography
В картине рассказывается о группе людей, отправившихся в сирийский лагерь на Ближнем Востоке, чтобы, рискуя жизнью, спасти женщин, которых ИГИЛ удерживает как сексуальных рабынь.
Producer
В картине рассказывается о группе людей, отправившихся в сирийский лагерь на Ближнем Востоке, чтобы, рискуя жизнью, спасти женщин, которых ИГИЛ удерживает как сексуальных рабынь.
Writer
В картине рассказывается о группе людей, отправившихся в сирийский лагерь на Ближнем Востоке, чтобы, рискуя жизнью, спасти женщин, которых ИГИЛ удерживает как сексуальных рабынь.
Director
В картине рассказывается о группе людей, отправившихся в сирийский лагерь на Ближнем Востоке, чтобы, рискуя жизнью, спасти женщин, которых ИГИЛ удерживает как сексуальных рабынь.
Director
The heart-stopping story of 'Crazy Fakhir', a Kurdish colonel in the Iraqi army and legendary bomb disposal expert who single-handedly disarmed thousands of landmines across the country with just a pocket knife and a pair of wire clippers.
Editor
In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.
Producer
In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.
Writer
In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.
Director
In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.
Editor
When a documentary filmmaker returns to his native Kurdistan to document the refugees fleeing ISIS, he happens upon an abandoned 11-year-old girl lying in pain in the scorching heat and makes a fateful decision, which ends up shaping both their lives.
Director of Photography
When a documentary filmmaker returns to his native Kurdistan to document the refugees fleeing ISIS, he happens upon an abandoned 11-year-old girl lying in pain in the scorching heat and makes a fateful decision, which ends up shaping both their lives.
Producer
When a documentary filmmaker returns to his native Kurdistan to document the refugees fleeing ISIS, he happens upon an abandoned 11-year-old girl lying in pain in the scorching heat and makes a fateful decision, which ends up shaping both their lives.
Writer
When a documentary filmmaker returns to his native Kurdistan to document the refugees fleeing ISIS, he happens upon an abandoned 11-year-old girl lying in pain in the scorching heat and makes a fateful decision, which ends up shaping both their lives.
Director
When a documentary filmmaker returns to his native Kurdistan to document the refugees fleeing ISIS, he happens upon an abandoned 11-year-old girl lying in pain in the scorching heat and makes a fateful decision, which ends up shaping both their lives.
