Julia Drack

In this case, Sascha Bergmann from LKA Graz and his colleague Anni Sulmtaler investigate the death of a young woman who is found by the novice Clemens at the foot of a staircase in the monastery library.

When Lisa's younger sister suddenly disappears without a trace, she returns to her home village to search for the missing girl on her own. But before she can follow up a real lead, a dead girl is found by the river.

Владельцы рекламного агентства и супружеская пара Нина и Ян заключают контракт с непростым клиентом. Политическая позиция клиента вызывает острою дискуссию между супругами. Желая отдохнуть от напряжённой работы, они решают отправиться отдохнуть с детьми на побережье. Поездка, которая должна была приятным приключением, оборачивается кошмаром после загадочного проишествия. И если в первые минуты после происшествия семья сплотилась, то попытки разобраться в том, что на самом деле произошло, только еще больше запутывают ситуацию.

Разыскиваемый по всей стране преступник пытается скрыться в одиноко стоящем доме в лесу, но вместо тишины и покоя его настигает топор прямо в лоб и девушка-нежить. Её зовут Мина, и, перекусив убитым, в его машине она обнаруживает затюканного слепого парня, которого решает не убивать.

When Johanna's blind grandmother Ruth tells her the secret about their Jewish past, the “sleeping dogs” of the family history awake.

FOR MY SISTERS is a movie about black culture or rather: black women, specifially: a movie about black singers. Alberta Hunter, Sarah Vaughan, Carmen McRae, Nina Simone. They are the four "Big Sisters", singer Carole Alston follows through to the age of jazz. Alston, "a voice as dark and sweet as molasses", as described by the Financial Times, was born in Washington, DC and has been living in Vienna for almost 30 years. She is sure: "Those four icons help you explain what jazz is and even the history of jazz right along."

He's known as "Tyrol's Zappa" and a "real anarchist." Whether folk music, jazz or what's known as serious music, Werner "Preisegott" Pirchner has in a creative way greatly expanded upon the limited acoustic range of his homeland, enriching it with some unfamiliar sounds from around the globe. Whoever comes into contact with him, such as Josef Hader and Tobias Moretti, can sense the power of his music, lets it carry them away, and embraces it wholeheartedly.

The rising city of Shanghai is a place of contradictions. In the heat of the battle for being the most progressive city of the world, many are left behind. No construction without deconstruction. The movie shows the social, economic and visual antagonisms of this vibrant city in a rhythmic and playful way. Shanghai is the engine that drives this experimental and musical documentary to a visual collision course.

The rising city of Shanghai is a place of contradictions. In the heat of the battle for being the most progressive city of the world, many are left behind. No construction without deconstruction. The movie shows the social, economic and visual antagonisms of this vibrant city in a rhythmic and playful way. Shanghai is the engine that drives this experimental and musical documentary to a visual collision course.

The rising city of Shanghai is a place of contradictions. In the heat of the battle for being the most progressive city of the world, many are left behind. No construction without deconstruction. The movie shows the social, economic and visual antagonisms of this vibrant city in a rhythmic and playful way. Shanghai is the engine that drives this experimental and musical documentary to a visual collision course.