Saša
Ajda's carefree childhood is slowly mixing with puberty. She is inspired by her young guitar teacher Mojca, and her attention is also piqued by a boy named Javor. The realization at the concert forces her to grow up instantly, as it irreversibly changes her.
Kralj
В древнем лесу на границе Италии и Югославии, в почти обезлюдевшей местности судьба сводит угрюмого старого плотника и продавщицу каштанов, которая мечтает вырваться из безысходности. Эта встреча коренным образом меняет их судьбы и даёт жизнь последней притче Каштанового леса.
4th Wife
Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.
Meri
Izidor is dreaming of becoming a real firefighter, despite not being taken seriously. Everything changes when he wins the lottery.
Vera
A woman in her thirties who wanted more of life jumps into an extramarital affair, only to lose her husband, her job, and finally her lover as well. However, she thinks she should start anew and have fun no matter the consequences.
Polona
Ivan is a retired music teacher in his late 70s, and has grown weary of life. His estranged son never matched up to his expectations anyway, he is still eaten up with jealousy of his brother, who always enjoys life to the full, and - above all - he cannot keep up with the changes around him. He buys himself a plot in a graveyard with an beautiful view of the Alps and checks into a retirement home so he can wait for his death in peace. However, the exact opposite happens: for the first time in his life Ivan starts to actually live.
A story of fragility, sexuality, monstrosities and geographical confusions. Everything, everywhere is the slogan of the nineties, a confusion of bodies, concepts and strategies, a kind of out of joint situation for the subject. And we find ourselves in all the media, in all the bodies in all the possible spaces at ones, but this deadly dance is not innocent. The video consists of the main part in which wives of the so-called totalitarian leaders as of the Rumanian dictator Cauceuscu (Elena) and of the former Serbian leader Slobodan Milosevic (Mirjana Milosevic) are forced to dance. Focused on the portrait of Mirjana Milosevic (The story of Mirjana M.) a kitsch melodramatic Balkan saga of power, drama, pop-folk elements and evil/demons is constructed. The apathy of feelings is caught in the dramatic tango that is slowed down for the camera eye.
