L. Vijayalakshmi

Sabatham is 1971 black-and-white Tamil Drama – Romantic film, directed by P. Madhavan.

Ravi, the only son of Vedachalam (Baliah), has traveled on business. Returning home, he meets a young woman on the train after picking up her spilled luggage. The contents of the luggage reveal that she is his sister, from his father's teenage years. When he returns home, she is moved in and living a life of wealthy luxury. But is she really who she says she is?

Bhama Vijayam is a 1967 Indian Telugu-language swashbuckler film, produced by Somasekhar and Radha Krishna, and directed by C.Pulliah. It stars N. T. Rama Rao and Devika, with music composed by T. V. Raju. The film is based on Gollabhama (1947) which itself is based on the stories of Kaasi Majililu written in Telugu by Madhira Subbanna Deekshitulu.

Four brothers live happily together as a joint family. But when misunderstandings arises between them, they need to overcome them to live happily again.

Vallavan Oruvan is a 1966 black-and-white Tamil Suspense film directed by R. Sundaram and produced by Modern Theatres. The film script was written by A. L. Narayanan. Music by Vedha assets to the movie. Jaishankar played a leading investigator's role. R. S. Manohar and Thengai Srinivasan played key supporting roles.

Mahakavi Kalidas Directed by R. R. Chandran. Princess Vidyotama vows to marry the man who defeats her in debate, but she wins every time. Through a ruse, her spurned suitors manage to marry the princess to the simpleminded Kalidas. Ashamed of his ignorance, Kalidas becomes a seeker of knowledge and is bestowed with wisdom by the goddess Kali. This moving story of love and enlightenment is based on legends surrounding real-life poet Mahakavi Kalidas.

1966 film starring Sanjeev Kumar, L. Vijayalakshmi and Sheikh Mukhtar

Aakasa Ramanna is a Telugu language film starring Kanta Rao and Rajashree in lead roles. The film was released in the year 1965 and has been directed by G. Viswanathan. The producer of the film is S. Bhavan Narayana. Film picturization started on 31st December 1964 and released on 8th July 1965.

Ramu is an innocent son of a rich landlord who is afraid of his brother-in-law Narendran and his whiplash. To escape from his punishments, Ramu leaves his house and his look-alike replaces him.

After the Pandavas are forcefully exiled by their enemies, they must get together and fight back in order to reclaim their land.

After her husband’s death, a woman struggles to raise her only son. Later, he becomes a famous surgeon and gets married to a wealthy girl but misunderstandings drive them apart.

Ramudu and Bheemudu are look-alikes who are both fed up of their respective lives. They incidentally end up taking each other's place in their homes, which leads to hilarious consequences.

The business partner and some employees of the elderly Mr. Somasundaram plot to eliminate him by hiding a bomb inside a doll. Learning of the plot, a few others try to avert the calamity. The story consists of the series of events by which the doll keeps changing hands, while being chased by those involved in the plot, and also by those trying to prevent it from exploding.

A faithful retainer tries to foil the plot to replace his country's queen with a look-alike.

This Hindu mythological film deals with the Viraata Parvam of the epic Mahabharata.

A happy-go-lucky guy falls in love with his professor's daughter. Although his brother supports him, his financial situation forces him to make many sacrifices in life.

Laila Majnu is a 1962 Malayalam language romance film directed by P. Bhaskaran and starring Prem Nazir, L. Vijayalakshmi, Sathyan, Thikkurissi, T. S. Muthiah, Chandni, Adoor Bhasi and Kodungalloor Ammini Amma. It was the first Malayalam version of the classic Sufi legend filmed extensively in Hindi and other South Indian languages. The film's acclaimed music is composed by Baburaj.

Gundamma has two children and a stepdaughter who she mistreats. She hopes to get a son-in-law who will look after the family, but two brothers decide to teach her a lesson.

Когда-то Пиллая и отца Муругесана связывала большая дружба, хотя они и принадлежали к разным кастам. После смерти друга Пиллай помог вдове воспитать мальчика. Теперь Муругесан работает на ткацкой фабрике. Его выбрали секретарем рабочего союза. Он и его друзья считают, что рабочие союзы должны контролировать цены на продукты питания и продавать их через рабочие кооперативы по твердым ценам.