Hugh Miller

Фильмы

We Were Once Kids
Director of Photography
In the early nineties, before the massive gentrification of many of New York's then slums, several young people from very disparate backgrounds left their broken homes and ventured onto the brutal streets of the city. United by their love of skateboarding, they formed a family and built a unique lifestyle that eventually inspired Kids, a groundbreaking and outrageous film directed by photographer Larry Clark and released in 1995.
June Again
Cinematography
A woman experiences a medical miracle, after which she has only a few days to bring together her estranged children, save the family's wallpaper business and rekindle an old flame.
У подножия вулкана
Director of Photography
В 1979 году продюсер The Beatles Джордж Мартин построил звукозаписывающую студию на вулканическом островке Монтсеррат в Карибском море. В этом райском уголке творилась музыка 80-х — у Мартина гостили Стинг, Пол Маккартни, Элтон Джон, The Rolling Stones, Duran Duran: для них это место было чем-то вроде богемного тропического ретрита, куда можно сбежать от всего мира.
Сердца и кости
Director of Photography
Военный фотограф Дэниел готовит выставку своих работ, снятых в горячих точках по всему миру. Узнав об этом, на его пороге появляется Себастьян, житель одной из деревень Судана, где Дэниел запечатлел ужасные события. Себастьян считает, что его народ достаточно настрадался и просит фотографа исключить эти снимки из экспозиции выставки.
Охотник за привидениями
Director of Photography
Герой фильма работает в фирме, которая занимается исследованием потустороннего невидимого мира. Он часто выезжает по вызовам в те дома, где по мнению хозяев живут привидения. Но при этом у него самого полно собственных призраков прошлого: уже два десятилетия он пытается разыскать своего отца. На наших глазах герой расследует тайны своей семьи. Кошмары обретают осязаемость, когда на его глаза попадается полицейское расследование и раскрывается семейная тайна.
Дитя Осириса: научная фантастика, выпуск 1
Second Unit Cinematographer
События разворачиваются в далеком будущем. Колонизация космоса идет полным ходом, с учетом того, что есть факты, указывающие на существование других цивилизаций. Инопланетная раса берет под свой контроль колонизацию, так как все проблемы таким образом будут быстро разрешены. Параллельно этому главные герои ведут непрерывную борьбу со своими страхами, направленными на боязнь других цивилизаций, которые имеют свои проблемы, начинающиеся с самого дна. Развитие протекает своим чередом, но образуются обстоятельства, угрожающие мирному существованию не только во Вселенной.
Sherpa
Director of Photography
In 2013, the world's media reported on a shocking mountain-high brawl as European climbers fled a mob of angry Sherpas. Director Jennifer Peedom and her team set out to uncover the cause of this altercation, intending to film the 2014 climbing season from the Sherpa's point-of-view. Instead, they captured Everest's greatest tragedy, when a huge block of ice crashed down onto the climbing route...
Smithston
Director of Photography
A horrific schoolroom accident involving Mr Jones' son sparks a most unusual case of post-traumatic stress disorder.
Desert Seas
Director of Photography
Sir David Attenborough unveils the two stunning underwater realms of Saudi Arabia - the flamboyant Red Sea and the contrasting hot muddy Gulf, capturing for the first time the rare event of Palolo worms spawning at night.
Lou
Director of Photography
Living in rural New South Wales, working-class single mother Rhia is struggling to evade debt collectors and raise three young daughters. The eldest, and hardened beyond her years, Lou blames Rhia for the departure of her father, who walked out 10 months ago and hasn't been seen since. Mother-daughter relations hit bottom when Rhia takes in Doyle, her father in-law, who is in the beginning stages of Alzheimer's. Doyle turns Lou's initial hostility around with exciting tales of his South Seas adventures. But coursing deepest in his mind are fractured memories of Annie, his late wife. Before long, Doyle "sees" Annie in Lou and imagines he is courting her all over again.
Prime Mover
Director of Photography
A long haul truckie who finds that the reality of his existence is far removed from his youthful dreams of owning and driving his own prime mover.
The Ballad of Betty & Joe
Cinematography
Every morning Betty tramps alone through the big city to join her fellow buskers in the pedestrian tunnel below, trying to earn a living. But her earnings are meager, and to make things worse, the new security guard, Joe, is trying to confiscate her fiddle. While Betty dreams of fame and fortune, Joe dreams of earplugs – something’s got to give!
Miracle on Everest
Cinematography
2006 was one of the deadliest Everest seasons on record. Experienced mountaineer Lincoln Hall was invited to join an expedition as a high altitude cameraman. It was his second attempt to summit the mountain, having turned back just short 22 years earlier. Shortly after reaching the summit, Hall began to behave irrationally, suffering from lack of oxygen. Aided by his loyal Sherpas for over 9 hours, he eventually collapsed and they declared him dead. His family were informed and the news hit headlines. But something happened that night that science cannot explain. The next morning Lincoln Hall was found alive by approaching climbers and his dramatic rescue began. Never before has a man been declared dead so high on Everest and survived. This is the remarkable true story of Lincoln Hall’s extraordinary journey back from beyond.
Solo
Director of Photography
Jack Barrett is the type of guy no one calls Jack. He works for a group of businessmen known as "The Gentlemen" who operate within the fertile realm of the Sydney Underworld. Standover tactics, prostitution, illegal gambling, creative importation - you name it, "The Gentlemen" are into it. And Barrett enforces it for them. Old school muscle for hire. Now 53 years old, he's tired of having to throw away perfectly good suits because you can't dry-clean the blood off. He needs to get out of Sydney. Out of the game. Which is, of course, easier said than done.