Simon Carpentier

The Story of an Encounter is a documentary that captures the unexpected encounter between México and Cirque du Soleil creators in the mist of the creation of LUZIA, Cirque du Soleil next big top show. It is a cultural and intimate story of the meeting of creative minds seen through personal interactions and relationship building of the show creators. Filmed in Mexico City, Tijuana, Oaxaca and Montréal, this series features: Daniele Finzi Pasca (Co-author and Director of LUZIA), Patricia Ruel (Direction of Creation), Simon Carpentier (Composer), Eugenio Caballero (Set and Props Designer) as well as Majo Cornejo and Rodrigo de la Mora (Musicians).

The Story of an Encounter is a documentary that captures the unexpected encounter between México and Cirque du Soleil creators in the mist of the creation of LUZIA, Cirque du Soleil next big top show. It is a cultural and intimate story of the meeting of creative minds seen through personal interactions and relationship building of the show creators. Filmed in Mexico City, Tijuana, Oaxaca and Montréal, this series features: Daniele Finzi Pasca (Co-author and Director of LUZIA), Patricia Ruel (Direction of Creation), Simon Carpentier (Composer), Eugenio Caballero (Set and Props Designer) as well as Majo Cornejo and Rodrigo de la Mora (Musicians).

LUZIA takes you to an imaginary Mexico, like in a waking dream, where light (“luz” in Spanish) quenches the spirit and rain (“lluvia”) soothes the soul. With a surrealistic series of grand visual surprises and breathtaking acrobatic performances, LUZIA cleverly brings to the stage multiple places, faces and sounds of Mexico taken from both tradition and modernity.

As part of its 30th anniversary, and for the first time in its history, Cirque du Soleil will present a truly unique, exclusive music event celebrating 30 years of music. Music has always been a central character in Cirque du Soleil shows. It accompanies the artists, punctuates the performance and triggers emotions. The 75-minute concert will pay tribute to the music of Cirque du Soleil and will feature a choir of 70 voices (under the artistic direction of Gregory Charles) and 6 soloists accompanied by 28 musicians. The audience will hear singers Paul Bisson, Audrey Brisson-Jutras, Dominic Dagenais, Estelle Esse, Mathieu Lavoie, Anna Liani, Francine Poitras and Roxanne Potvin interpret some of the songs that have defined the music of Cirque du Soleil shows of the past 30 years.

This fascinating reality program exposes the ups and downs of a group of Cirque du Soleil performers as they put together "Zumanity," a new, highly erotic show in Las Vegas. Filmed over two years, Lovesick follows the diverse group of artists -- coy Cuban stripper Alex, feisty New York drag queen Joey, stylish British dancer Laetitia and debutante princess Jonel -- along with Creation Director Andrew and Spymonkey, the outrageous clown quartet.

Zumanity was a resident cabaret-style show by Cirque du Soleil at the New York-New York Hotel & Casino on the Las Vegas Strip. It is the first "adult-themed" Cirque du Soleil show, billed as "the sensual side of Cirque du Soleil" or "another side of Cirque du Soleil". Created by René Richard Cyr and Dominic Champagne, Zumanity is a departure from the standard Cirque format. Intended to be for mature adult audiences only, this show is centered on erotic song, dance, acrobatics and comedy.

Шелби Нэйрол никак не оправится после автокатастрофы, в которой погиб ее муж. Костыли, лекарства и воспоминания. Облегчение она находит в хобби мужа — прослушивании полицейской радиоволны.

Erin, a struggling actress, has little faith in men. She works for a detective agency, her job is to seduce married men and let their wives catch them in the act. But lately, Erin is been getting threatening phone calls and someone is trying to hurt her. Is it her boss, who's in-love with her? or is it a former "client" trying to get back at her? or maybe, this new man she's been seeing?

In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover's wife, and both these scenes take place in a ladies' room, one backstage at a play that's about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.