Un homme de l'autre film
After separating from the father of her son, a young French woman tries to find lodging and a fresh start in L.A. for herself and her son.
Associate Producer
After being bitten by a cobra in the Philipines, Lena can turn herself into a snake and she stops aging. The curse comes with a price. The priestess Lena must consume cobra venom and vital young men to stay young.
Story
After being bitten by a cobra in the Philipines, Lena can turn herself into a snake and she stops aging. The curse comes with a price. The priestess Lena must consume cobra venom and vital young men to stay young.
Screenplay
After being bitten by a cobra in the Philipines, Lena can turn herself into a snake and she stops aging. The curse comes with a price. The priestess Lena must consume cobra venom and vital young men to stay young.
Weston
After being bitten by a cobra in the Philipines, Lena can turn herself into a snake and she stops aging. The curse comes with a price. The priestess Lena must consume cobra venom and vital young men to stay young.
Director
After being bitten by a cobra in the Philipines, Lena can turn herself into a snake and she stops aging. The curse comes with a price. The priestess Lena must consume cobra venom and vital young men to stay young.
Producer
Low-budget film illustrates the various factors which have lead a man to hijack a plane to Cuba.
Writer
Low-budget film illustrates the various factors which have lead a man to hijack a plane to Cuba.
Director
Low-budget film illustrates the various factors which have lead a man to hijack a plane to Cuba.
Director
Director
Featuring Joy Bang, Prescott Townsend, Rene Ricard. Music by the Unidentified Flying Objects. "The grand prize ... went to Andrew Meyer's black-and-white AN EARLY CLUE TO THE NEW DIRECTION, whose virtues had nothing to do with technical polish. Mr. Meyer's film hung on dialogue, cast and plot (of a kind), clearly moving in a new direction. Its central virtue was nothing less than a superb performance by an old man, Prescott Townsend, playing a Boston rogue long past his time, who charms a young girl with his 'snowflake theory.'" – Douglas M. Davis, National Observer
Director
"Dawn to dusk with a commune of young people on the Lower East Side, searching fulfilment through sex and drugs."–A.M. "...one of those remarkable films incensed with the values which man forgets, caught in the sedge flats which he calls his streets. It is these disowned values that [Meyer] obstinately and with the greatest of poise works with and surprises his film spectator...The world of SHADES AND DRUMBEATS has no need for sound; for the film frames speak and contain the word, the sentence which reveals to the engrossed spectator the spirit of Meyer's work."–Gregory Markopoulos, in a lecture at Idaho State University, 1964
Director
Scenes from the New Testament, re-enacted among the colors of New England autumn.
Self
An hour-long paean to the art of the kiss featuring fourteen couples, from passionate participants to lethargic lovers, engaging in the intimate act.
