Grace Passô

Grace Passô

История

Grace Passô (Belo Horizonte, May 20, 1980) is a Brazilian actress, director and playwright, graduated from the Clóvis Salgado Foundation Technological Artistic Training Center, in Belo Horizonte, Minas Gerais. In cinema, she acted in films such as "Elon Don't Believe in Death" (Ricardo Alves Júnior), "Praça Paris" (Lúcia Murat), "No Coração do Mundo" (Plastic Films - Gabriel Martins and Maurílio Martins), "Tempoarada" (Plastic Films - André de Novais Oliveira) and "Vaga Carne" (Grace Passô and Ricardo Alves Júnior), winning numerous awards.

Профиль

Grace Passô
Grace Passô

Фильмы

O Dia Que Te Conheci
Erva de Gato
Изгнание
У супругов Лауры и Израэля есть пятилетний сын Лукас. Они живут вместе, но, кажется, полностью потеряли интерес друг к другу. Их отношения стремительно идут под откос, но в семье ещё остался человек, не утративший волю к жизни, и это Лукас.
Ficções Sônicas #2
Screenplay
Ficções Sõnicas #2 is a film-play made in downtown São Paulo, during the pandemic. In history, they occupy the Municipal Theater and rehearse a play without an audience, in a search path that awakens them from the inaction and automation of sensitivity. The film-play is part of the Sonic Fictions Project, idealized by Grace Passô, where a series of artistic creations are made to experience children and act on the basis of black lives in diaspora.
Ficções Sônicas #2
Director
Ficções Sõnicas #2 is a film-play made in downtown São Paulo, during the pandemic. In history, they occupy the Municipal Theater and rehearse a play without an audience, in a search path that awakens them from the inaction and automation of sensitivity. The film-play is part of the Sonic Fictions Project, idealized by Grace Passô, where a series of artistic creations are made to experience children and act on the basis of black lives in diaspora.
Ficções Sônicas
Director
Ficções Sônicas is a sonic imagination of the radio play Pra Dar Um Fim no Juízo de Deus, by Antonin Artaud, immersed in the notion of non-place of diasporic experiences. Triggered by the term developed by the writer Kodwo Eshun, the work brings together the musicians Barulhista, Maurício Badé and Thelmo Cristovam in different musical tracks, dialoguing with the voice of Passô. “It is to make the future vibrate in this ancient text that always had the future in itself. It is an evocation of words resistant to the automation of sensibility. It’s a meeting between aliens.”
Mata Teu Pai
Director
De Cabral a George Floyd: Onde Arde o Fogo Sagrado da Liberdade
Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
К луне
Поэтическая ода Луне. Фильм создан на основе материалов международных киноархивов с включением литературных фрагментов. Авторы размышляют о нашем отношение к Луне, напоминая, с чем связывались представления о ней в разные века.
O Segundo Antes da Coragem
O Segundo Antes da Coragem
Director
Republic
Writer
One night, a Brazilian woman wakes up in a country exhausted from violent acts. Republic is a short film realized at home, in the beginning of 2020s quarantine, in the center of São Paulo, República neighborhood.
Republic
Director
One night, a Brazilian woman wakes up in a country exhausted from violent acts. Republic is a short film realized at home, in the beginning of 2020s quarantine, in the center of São Paulo, República neighborhood.
Republic
One night, a Brazilian woman wakes up in a country exhausted from violent acts. Republic is a short film realized at home, in the beginning of 2020s quarantine, in the center of São Paulo, República neighborhood.
В сердце мира
Selma
Жители бразильского города Контагем хотят лучшей жизни. В центре сюжета Сельма, женщина, которая мечтает уехать в "сердце мира" - место, в котором она будет счастлива.
Sem Asas
Zu, a twelve-year-old boy on the way to buy flour for his mother, winds up in the clutches of armed paramilitary narcotics officers.
While We Are Here
(Narrator)
“While we are here” mixes fiction, travelogue, film diary and documentary to tell the story Lamis, a Lebanese woman who just moved to New York and Wilson, a Brazilian man living illegally for 10 years in the same city. The film narrates the story of their relationship in a personal way by articulating macro-political issues with intimate ones.
Dazed Flesh
Production Design
After having invaded liquid, gaseous and solid substances, a strange voice takes possession of a woman's body and for the first time experiences the taste of something truly human. Together, the voice and the body seek for belonging and an identity of their own as they question their roles within society.
Dazed Flesh
Producer
After having invaded liquid, gaseous and solid substances, a strange voice takes possession of a woman's body and for the first time experiences the taste of something truly human. Together, the voice and the body seek for belonging and an identity of their own as they question their roles within society.
Dazed Flesh
Writer
After having invaded liquid, gaseous and solid substances, a strange voice takes possession of a woman's body and for the first time experiences the taste of something truly human. Together, the voice and the body seek for belonging and an identity of their own as they question their roles within society.
Dazed Flesh
Director
After having invaded liquid, gaseous and solid substances, a strange voice takes possession of a woman's body and for the first time experiences the taste of something truly human. Together, the voice and the body seek for belonging and an identity of their own as they question their roles within society.
Dazed Flesh
After having invaded liquid, gaseous and solid substances, a strange voice takes possession of a woman's body and for the first time experiences the taste of something truly human. Together, the voice and the body seek for belonging and an identity of their own as they question their roles within society.
Long Way Home
Juliana
In order to take a new job as an employee in the public sanitation department, Juliana moves from the inner city of Itaúna to the metropolitan town of Contagem in Brazil. While waiting for her husband to join her, she adapts to her new life, meeting people and discovering new horizons, trying to overcome her past.
Praça Paris
Glória
Camila is a Portuguese therapist who works at Rio de Janeiro State University, where she attends Glória, the university's elevator operator. Throughout the sessions, Camila faces a very violent reality, since Glória was raped by her own father as a child and her brother Jonas is a dangerous bandit that is in prison. Increasingly frightened by the reports she hears, she feels threatened at the same time that Glória sees her as essential in her life.
Elon Doesn't Believe in Death
Graça
As he does every single day, Elon goes to meet his wife at her workplace, but she is not there. He doesn’t find her at home as well, so he starts to retrace the path Madalena makes daily. In the morning after, Elon goes to the police station and files a report, runs into hospitals, morgues. Alone, he wanders through a metropolis, searching for news about the sudden and mysterious disappearance of his wife.
Elza Soares: A Mulher do Fim do Mundo
Music about becoming women in the contemporary world, their emancipation and struggles
Marcha Para Zenturo
Ainda Assim