Ramiro Díaz Agüero

An old woman wears herself out with every movement, entrenched in her room. Each of the gestures of her aching body reminds her of the years of prison and torture she experienced as a political prisoner of the Uruguayan dictatorship. At the end of the 1960s, Élida Valdomir was an armed leader of the Tupac Amaru movement and never denied her commitment. In this almost closed door, yesterday's memories and today's images constantly respond to each other.

After the suicide of her best friend, Amparo secludes herself in a mourning pervaded by doubts and memories. Daring to continue her friend’s unfinished work proves to be the only way to move on.

Two men walk agitatedly on a dirt road, between underbrush and large trees. One follows the other: both inspect the place. After a while, they stop in the middle of the foliage.

A chronicle on the days without Jorge Julio López, key witness and complainant on the first trial on genocide in Argentina, dated in 2006. López, who had survived through concentration camps on the late seventies argentinian dictatorship, disappeared for the second time the day the court decision meant to condemn his kidnappers was about to be read.

В погоне за сектантами, которые похитили её дочь, Виржиния попадает в аварию. Но у нее появляется шанс прожить еще один день, чтобы спасти ее. Но попав в маленькую затерянную деревушку, женщина понимает, что в мире есть вещи куда более кошмарные, чем смерть.

Juana, a young woman in her twenties sets out on a backpacking trip to the northwest of Argentina. Her aim is to find some places and people that appear in a series of photographs that she carries with her. As the adventure goes by, Juana finds out that the deepest meaning of the trip was but the simple fact that she has travelled through the experience itself.

Amidst the political crisis of December 2001 in Argentina, Clara observes the relationship troubles of her cousin Mara with her boyfriend Tomás. Their sexual bonds are about to undergo some changes as well.