Ján Meliš

Словацкая деревня готовится к Рождеству. Сорокалетний Милан приезжает из Германии, где работает, чтобы побыть семьей. Праздничную атмосферу нарушают подозрения о том, что его сын, член военизированной молодежной организации, может быть вовлечен в преступление.

Словацкая деревня готовится к Рождеству. Сорокалетний Милан приезжает из Германии, где работает, чтобы побыть семьей. Праздничную атмосферу нарушают подозрения о том, что его сын, член военизированной молодежной организации, может быть вовлечен в преступление.

У Уны и инопланетного робота есть 24 часа, чтобы найти ее дедушку, который был похищен инопланетянами. Экстраординарное приключение приведет к дружбе, рациональная роботизированная логика сменится эмоциями, а самоотверженная любовь Уны спасет ее инопланетную семью.

After her husband's death, Hana lives on alone in the family villa. Her two sons visit her with their families, but these visits frequently end in quarrels. When Hana meets Brona, a hardy fellow, inured to winter swimming, a new world opens before her. Brona's team-mates absorb her into their team and Hana gradually learns to overcome her fear of icy water. Her relation with Brona grows into love.

Eva would do anything to regain the love of the one she hurt the most - her son. She is a recovered alcoholic but decades ago she was a famous actress.

Ela, 15, has a love affair, which results in her being sent to a re-education center.

The film is a Slovak version of The Thin Blue Line, recounting the unsolved disappearance and murder of a young woman that happened thirty years ago. It was a case that was paraded in the communist media at the end of which seven individuals were found guilty of this heinous crime. They are the same individuals who at present proclaim their innocence.

The film is an unusual portrait of Slovak poet Jozef Urban who tragically died. Nevertheless, his short life was enough for his work to influence social and cultural spheres in Slovakia. First of all, however, he was a bohemian and a rebel able to see beyond his generation’s field of vision. He lived a life of an impalpable hothead floundering in loves, desires and passions. At the same time, as an author, his reasoning and views were precious and clear.

The mayor of OSADNE, Mr. Ladislav Mikulasko, is a political record-holder. He has held the position of the village boss for a respectful thirty-six years. His spiritual counterpart, the Orthodox priest, Peter Soroka, has buried fifty people and christened two children over the past five years. The mayor and priest have decided to fight for the survival of the village, together with their wives who are their important shadow advisers.

The mayor of OSADNE, Mr. Ladislav Mikulasko, is a political record-holder. He has held the position of the village boss for a respectful thirty-six years. His spiritual counterpart, the Orthodox priest, Peter Soroka, has buried fifty people and christened two children over the past five years. The mayor and priest have decided to fight for the survival of the village, together with their wives who are their important shadow advisers.

A poetic story about love and happiness between doc and fiction.

The documentary follows the so-called globalization processes and their effect on the individual stories and lives of the inhabitants of the Šariš region in Eastern Slovakia. The film depicts six different characters who represent their communities, they are Šarišans, Ruthenians, Roma, Jews, but also young people with different identities. The film explores various forms of the end of the uniqueness of communities in their traditional diversity, but at the same time seeks the beauty of the authentic, interesting and original individual. They are called "šaleni vychodňari" (crazy easterners). The film Other Worlds explores six heroes at one of the ends of the world, the end of the global world. They are a product "made in Šariš".

The documentary tribute to the solitary director Elo Havetta (1938-1975), the author of only two feature films (Celebration in the Botanical Garden and Wild Lilies), which belong to the peaks of Slovak cinema. In their time, they brought playfulness and spontaneity, which the authors of the documentary follow up with a happening in which they search for his legacy on the way to the director's grave.