Suzie Lavelle

Фильмы

Конец, с которого мы начинаем
Director of Photography
Недалекое будущее. Лондон стремительно погружается под воду. Молодая мать пытается с новорожденным ребенком преодолеть катастрофические последствия и найти дорогу к новому дому.
Untitled
Director of Photography
A woman sits waiting for her train home. A stranger sits next to her and starts talking. He knows things about her that he shouldn't know, intricate details of her life and the lives around her, personal details of her past and future. He tells all this because he has a message, something she needs to hear...
Шерлок: Безобразная Невеста
Director of Photography
Нас приглашают побывать в 1895 году, в Лондоне. Теперь за услугами Шерлока обратился новый клиент – Томас Риколетти. Он случайно наткнулся на свою жену, когда она была в старом свадебном платье. Это удивило его. Вскоре ему стало известно, что она свела счеты с жизнью за несколько часов до невероятной встречи.
Doctor Who: The Husbands of River Song
Director of Photography
It’s Christmas Day on a remote human colony and the Doctor is hiding from Christmas Carols and Comedy Antlers. But when a crashed spaceship calls upon the Doctor for help, he finds himself recruited into River Song’s squad and hurled into a fast and frantic chase across the galaxy. King Hydroflax is furious, and his giant Robot bodyguard is out-of-control and coming for them all! Will Nardole survive? And when will River Song work out who the Doctor is? All will be revealed on a starliner full of galactic super-villains and a destination the Doctor has been avoiding for a very long time.
Big Girl
Cinematography
Gemma and Hannah used to be best mates. On the eve of her Mum's wedding, Gemma escapes the pre-nuptials to reconnect with her old friend. However, Hannah is returning to Sierra Leone the next morning and won't say why.
I Yam What I Yam... L'invenzione
Director of Photography
I Yam What I Yam...L'invenzione' is centered around the collision of two films originally shot on the same location; Emidio Greco's 'L'invenzione di Morel' (1974) and Robert Altman's 'Popeye' (1980). In Greco's film a shipwrecked man stumbles upon an ultra-modernist mansion. In it he finds a group of people trapped in a perpetual present facilitated by a machine that's capable of reproducing reality. Sant's reinvention of this film is shot on the same location, follows the same storyline, but occupies another world. In place of the mansion, he finds himself in 'Sweethaven' - the set of Altman's 'Popeye'. Though there is no trace of Greco's set, Altman's 'Sweethaven' remains - echoing Greco's plot by existing as an open-air museum where costumed entertainers re-enact scenes.
The Other Side of Sleep
Director of Photography
Loosely inspired by the director’s own memory of a girl’s disappearance from her village, the film follows Arlene, a young factory worker living alone in a rural Irish community.
One Hundred Mornings
Director of Photography
In a world upended by a complete breakdown of society, two couples hide out in a lakeside cabin hoping to survive the crisis.