Madiha Salem

Hamid and Ismail are two thieves who plan to rob a jewelry store which can only be broken into from the ground of the apartment above it, inhabited by a couple whose relationship is precarious and complicated.

Renegotiating the representational paradigm of nationhood the film draws a heterogeneous picture of Egyptian society as well as Soviet workers as they embarked on the momentous dam enterprise. The films presents a vision of a nation deep rooted in unity as well as diversity. The films projection of a renewed imagining of the nation inadvertently acknowledges a new and nuanced understanding of its goals, political objectives, and how these impact the personal within it. (KHOURI)

After the death of his wife, the head of a family lives in emptiness and boredom after his children became busy with their lives. He meets a lady whose circumstances are similar to his and the two decide to get married without telling their children, which creates a lot of problems.

Alia and Fawaz are two lovers who belong to two different Bedouin tribes. Despite their feelings for each other, it soon becomes apparent that they can not get married.

When her father dies, the devastated Samira decides to take revenge on his murderers after she discovers that he was killed by a gang. She searches her father's papers until she finds incriminating evidence. The gang's leader sends one of his men, Hussein, to get it.

Yassin is a fame-seeker who makes a deal with the lawyer, Samir, to falsely confess to a famous murder, in the hopes that the media attention will benefit them both, as Samir proves Yassin's innocence at the last moment. But when Yassin is implicated in the crime, Samir has to find the real killer to save him.

Every sheriff shocked the lawyer and his friends, Raafat, the famous composer, and the master veterinarian.

The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”

Anayat Hanim succeeded in having a clothing factory after the death of her husband, allowing her to live with her three daughters Samira, a bachelor of commerce, Kawther who cares only about physics, Laila who is not yet 14 years old and very lazy and dreams of the day he will marry so as not to go To school. Haj Awadallah owns a factory that he manages himself and supplies Hanayat Hanim with the finest fabrics, and thus a close relationship developed between them. Since he is single, he suggested to Annayat Hanim that they marry but they delayed the response and justified that she must marry the two girls first. Haj Awad asks his brother Fathallah and his friend Mamdouh to advance the brothers' sermon and send a telegram to Annayat Hanim telling her that the groom will arrive tomorrow.

Two gamblers living a prosperous but lustful life where money has replaced morals. However, their lives change after an unexpected meeting with a belly dancer.

A coming of age story about a dreamy girl.