Обработка двух глав одноименного романа Марии Майеровой. Удивительно жизненное и убедительное повествование о жизни рабочей семьи в течение шахтерской забастовки, ещё полностью незвучащей примитивной идеологической риторикой; безмерная бедность и гордая решимость всё время поражают, равно как недостаток жизненного контакта фабричной атмосферы, так и пролетариата. Нужда 1889 года имела подобие голода.
host v hostinci
Inspector Cadek from the 13th police station should keep an eye on the released safe-cracker nicknamed The Cat. He rightly suspects that Cat will go and pick up his last loot which the police didn't manage to find and that he will want revenge on Karta who helped get him behind bars. At the hospital, Cat's ex-lover Fróny hopelessly falls for doctor Chrudimský and decides to start a new life. She still refuses to help the inspector in his search for The Cat and Karta.
Seventh form pupils at a grammar school in Přívlaky are preparing for a secondary school sports competition. Class creep Krhounek gives the class teacher Lejsal a copy of the seventh form’s magazine Roar. Most of the teachers insist on severe punishing the culprit. The author does not own up and consequently the whole class is punished by being banned from taking part in the schools competition. The most gifted pupil, Benetka, rather sharply criticises the school in a homework essay on a subject of his choice. The strict Czech language teacher is convinced Benetka is the author of the school magazine. Benetka denies the charge but his expulsion from school is proposed anyway on account the views he expounded in his essay. Eventually, Boukal, the author of the school magazine comes forward and admits to writing it. The pupils are allowed to take part in the contest and thanks to Benetka they win. In the meantime however the teachers vote to expell him.
On the coast of Yugoslavia lives fisherman Ivo Kralj, his wife Marie, son Vuk, and Ivo's mother in one happy home. Marie, who loves her husband and always looks forward to his return from sea, attracts Nikola, with whom Ivo, out of jealousy, has a scuffle at a dance. After the outbreak of World War I Ivo is mobilized. He ends up in a P.O.W. camp where he is subjected to hard labour. His family then receives news of his death. The years pass and the lonely widow Marie is occasionally visited by her friend Nikola. Ivo's mother would like her to remarry. Soon after the wedding Marie becomes pregnant. Ivo, who has been thought dead, succeeds in escaping the P.O.W. camp where he has spent several years. Upon his arrival home he finds his name on a memorial erected to the victims of the war...
“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).
