Milan Sandhaus

Emperor Francis Joseph I is about to arrive in Prague, and among those who came to Stromovka to welcome him is Veronika Pavlitová. She wants to submit a request for clemency for her imprisoned father to the emperor, because she is barely able to support herself and her siblings on the meager salary of a seamstress. By chance, the girl meets Božena Němcová, whom she admires immensely. She becomes her friend and confidant for a while. However, police director Paümann, who has been following Božena Němcová for a long time, takes advantage of the naivety of the young girl. Veronika, in her simple-mindedness, tells him many things. Only later will she understand how she was abused.

Taxi driver Koukal (Miroslav Machácek) is stopped by the police for a routine traffic check. In the boot of his car the police find the body of a naked man. Koukal is arrested even though he claims he knows nothing about it. The case is assigned to Major Mlynár (Milan Sandhaus). The police identify the corpse as that of an Austrian citizen called Mitrik. Koukal has been regularly driving people interested in gambling to a secret gaming den. The police are put onto the gambling den by another taxi driver, who admits that he drove Mitrik there. Mlynár and officer cadet Pecka (Ivan Vyskocil) feign interest in gambling and visit the gaming den incognito.

Lieutenant VB, disguised as a laborer, is looking for a young woman killer among the staff of a wheel loader. But which of the possible motives found is the right one?

The title "All My Good Countrymen" is not without irony as this epic tale of Czech village life from shortly after the end of the Second World War concentrates on the activities of a group of friends who are not beyond reproach in siding with a politically corrupt regime for material advancement. Are these the "good countrymen" of the title or does it refer to the rest of the village who scorn these petty authority figure with silent contempt?

At the year 1946, the time of the Nuremberg Process. One of the main actors of the Second World War, who reportedly committed suicide, Adolf Hitler is, however, missing. The Czech doctor Herman (Karel Höger) is kidnapped from Prague and driven to the sanatorium of Professor Rolf Harting (Jirí Vrstála). The sanatorium is a disguised military stronghold, most probably occupied by a Nazi garrison, with prison cells and an execution chamber in the basement. At night, Herman is taken to a patient in whom he, to his horror, recognizes Hitler (Fritz Diez).

Juraj, a Slovak artist living in Prague, takes stock in his life, realizing that his days pass without purpose. He lives a carefree life. But now he has to choose between two women, between the city and the country, and between creative work and craftsmanship. He has a passion for art but he also has to make a living. Through his relationships with close people, he grows aware of his position and this knowledge helps him to live a more fulfilling and better life.