Wendy Pillonel

June 2020, Corona, one year after the national women's strike. Six directors dive into the everyday life of six women and explore what it means to be a woman in today's Switzerland.

June 2020, Corona, one year after the national women's strike. Six directors dive into the everyday life of six women and explore what it means to be a woman in today's Switzerland.

Frank burns himself to death at his job in protest against the inhumane working conditions. Two stories emerge from this tragic incident. Léa, Frank’s wife, who is searching for the truth. Igor, an employee who finds the dead body and steals the letter of protest for fear of losing his job.

Frank burns himself to death at his job in protest against the inhumane working conditions. Two stories emerge from this tragic incident. Léa, Frank’s wife, who is searching for the truth. Igor, an employee who finds the dead body and steals the letter of protest for fear of losing his job.

August 1st in Zurich. An unbearably hot day. While many are celebrating the Swiss national holiday, five individual fates take their course: 1. As a symbol against capitalism in Switzerland, Vinc is planning an attack in the city centre. 2. Tibetan descendent Sonam is struggling to settle into her new job as a police officer – worse still, she makes a major mistake during her first operation. 3. Hunter Edi’s status quo is unbalanced when a financial predicament puts his morals to the test. 4. Young Ukrainian Sonja arrives in Zurich full of hope to surprise the love of her life – but she is in for an even bigger surprise. 5. Chilean Javier no longer feels at home in Switzerland and decides to return – with his daughter, but without her mother’s knowledge – to his motherland.

In a future where the sea doesn’t exist anymore and where adults imitate things from the past, dozens of children are building sand pies on an artificial beach. Only 12-year-old Estelle looks at a wall on which the sea is painted. Thibaud, her peer, approaches the girl and pretends he can see the things that no longer exist. He takes her to his hiding place and tries to convince her to take a pill that would allow her to see the real sea.

In a future where the sea doesn’t exist anymore and where adults imitate things from the past, dozens of children are building sand pies on an artificial beach. Only 12-year-old Estelle looks at a wall on which the sea is painted. Thibaud, her peer, approaches the girl and pretends he can see the things that no longer exist. He takes her to his hiding place and tries to convince her to take a pill that would allow her to see the real sea.