Kaspars Goba

Заплатив за счастье невозможную цену, героиня оказывается в западне — эта дорога ведет в один конец. Чувствуя себя преданной, она ищет мести.

During Latvia’s centennial year, 15 filmmakers created each his own film portrait of a person living in Latvia on the background of centenary events. Documentary 2018 combines these stories into a unique poetic vision based on analogy with the documentary 235 000 000, a classic of the Riga school of poetic documentary cinema. This film is an attempt to make sure whether the codes of the poetic cinema are still relevant and accessible today.

“Inga Can Hear” is a story about the 15-year old Inga, a girl caught between two worlds. Being the only hearing member of a deaf family residing in the remote Latvian countryside, Inga has been the family’s interpreter in the hearing world since the age of seven. Her role in the family has forced her to grow up very quickly and her personality fluctuates between a responsible young woman and a moody teenager. Inga is about to graduate from middle school and has to make a decision on what to do next. Inga’s head is full of questions. To pursue a career as an actress? To become a firefighter? What will happen to the family, for whom she has sometimes been the only link to the outside world?

“Inga Can Hear” is a story about the 15-year old Inga, a girl caught between two worlds. Being the only hearing member of a deaf family residing in the remote Latvian countryside, Inga has been the family’s interpreter in the hearing world since the age of seven. Her role in the family has forced her to grow up very quickly and her personality fluctuates between a responsible young woman and a moody teenager. Inga is about to graduate from middle school and has to make a decision on what to do next. Inga’s head is full of questions. To pursue a career as an actress? To become a firefighter? What will happen to the family, for whom she has sometimes been the only link to the outside world?

“Inga Can Hear” is a story about the 15-year old Inga, a girl caught between two worlds. Being the only hearing member of a deaf family residing in the remote Latvian countryside, Inga has been the family’s interpreter in the hearing world since the age of seven. Her role in the family has forced her to grow up very quickly and her personality fluctuates between a responsible young woman and a moody teenager. Inga is about to graduate from middle school and has to make a decision on what to do next. Inga’s head is full of questions. To pursue a career as an actress? To become a firefighter? What will happen to the family, for whom she has sometimes been the only link to the outside world?

A portrait of a post-Soviet country in Eastern Europe whose society is torn apart by the struggle to accept the Gay Pride Parade tradition. The unearthing of Pride in Riga from 2005 to 2010 shows the different perceptions of the concept of democracy in the 21st century.

A portrait of a post-Soviet country in Eastern Europe whose society is torn apart by the struggle to accept the Gay Pride Parade tradition. The unearthing of Pride in Riga from 2005 to 2010 shows the different perceptions of the concept of democracy in the 21st century.

A portrait of a post-Soviet country in Eastern Europe whose society is torn apart by the struggle to accept the Gay Pride Parade tradition. The unearthing of Pride in Riga from 2005 to 2010 shows the different perceptions of the concept of democracy in the 21st century.

In Seda, a remote peat miners' town in Latvia, time seems to be frozen in the Soviet era. Built in 1952 and inhabited by a multi-ethnic workforce from different parts of the former USSR, it still preserves intact the inflated style of a Stalinist "shock work" construction project. Culturally Seda's people feel like a community apart. Their lingua franca is Russian, and their social life is a mixture of Soviet and Russian Orthodox traditions. They don't want the European Union, they want to live in their own state - the Marshland.

In Seda, a remote peat miners' town in Latvia, time seems to be frozen in the Soviet era. Built in 1952 and inhabited by a multi-ethnic workforce from different parts of the former USSR, it still preserves intact the inflated style of a Stalinist "shock work" construction project. Culturally Seda's people feel like a community apart. Their lingua franca is Russian, and their social life is a mixture of Soviet and Russian Orthodox traditions. They don't want the European Union, they want to live in their own state - the Marshland.

In Seda, a remote peat miners' town in Latvia, time seems to be frozen in the Soviet era. Built in 1952 and inhabited by a multi-ethnic workforce from different parts of the former USSR, it still preserves intact the inflated style of a Stalinist "shock work" construction project. Culturally Seda's people feel like a community apart. Their lingua franca is Russian, and their social life is a mixture of Soviet and Russian Orthodox traditions. They don't want the European Union, they want to live in their own state - the Marshland.

In Seda, a remote peat miners' town in Latvia, time seems to be frozen in the Soviet era. Built in 1952 and inhabited by a multi-ethnic workforce from different parts of the former USSR, it still preserves intact the inflated style of a Stalinist "shock work" construction project. Culturally Seda's people feel like a community apart. Their lingua franca is Russian, and their social life is a mixture of Soviet and Russian Orthodox traditions. They don't want the European Union, they want to live in their own state - the Marshland.

A story of Augšbebri (Bobrovka) village in Siberia, set up by Latvians at the end of 19th century.

A story of Augšbebri (Bobrovka) village in Siberia, set up by Latvians at the end of 19th century.