Pantea Panahiha

Amir, a young Iranian, signs on with a fisherman on the rugged Caspian Sea coast in order to earn the money he needs to marry his sweetheart, Narges. But in so doing, he becomes entangled in the criminal machinations of caviar poaching. Piece by piece, a complex hierarchy is revealed in a parallel realm that becomes ever more constricting and oppressive, endangering Amir’s relationship with Narges as well.

A chaotic family is on a road trip across a rugged landscape. In the back seat, Dad has a broken leg, Mom tries to laugh when she's not holding back tears, and the youngest keeps exploding into car karaoke. Only the older brother is quiet.

After getting infected with COVID-19, a 57-year-old Iranian painter, single woman, Mitra, goes into a coma. With her last breaths, she begins travelling to different pieces of her memories through her unconscious mind. Mitra’s spirit comes back home to pack an imaginary luggage full of her bittersweet memories and take it away. Moments before her last travel, just like Lot’s wife, she looks back at the lives of hers, her friends and her generation… at what they have done, what they have built and what they have ruined…

Hamed and Sepideh are not in a relationship anymore; they parted ways and the college years in which they watched movies together are just a far-off memory. Hamed has pursued his passion for music, he has recently released his first album and has been married for a year with a music instructor, Minoo. Sepideh has become an English teacher for preschoolers and is now wed to a builder, Massoud, who ironically can’t seem to build a solid marriage. In spite of everything, Hamed hasn’t forgotten about Sepideh yet and, when she goes back to their hometown, Minoo encourages her husband to meet her and clear his mind about what he really wants. With the collusion of a long time friend who owns a stationer, Hamed orchestrates an accidental meeting with Sepideh, in the attempt to find out more about her current life and, at the same time, to put himself to test.

The story is about two men who start their journey from Dezful to Tehran, who are on the road for two and a half months and face many challenges.

Sudabeh returns to Iran after years to escape the punishment of conscience, but he needs to tell a secret that it is difficult to tell a secret ...

Farhad tells the story of his life to a psychiatrist.

In the blood is a film in the drama genre directed by Siavash Asadi, produced in 2017. The film was screened at the 37th Fajr Film Festival and was nominated in three categories. Amin Hayaee, who plays the lead role in the home, has also acted in films such as Ms. Yaya and Sholavar. In the summary of the story of this film, it is stated that Zahri will come to make it! If he doesn't ... Reza, after working in Japan for eight years, returns to their neighborhood called Darkhongah ... About the movie The film "In the blood" directed by Siavash Asadi was made in 2017. This film is a product of Iran in the family and social genre. In this film, Amin Hayaee, Jaleh Sameti, Mehraveh Sharifinia, Mahmoud Jafari, Mansour Shahbazi, Fatemeh Morteza, Afshin Sangchap, Jamshid Hashempour, Nader Fallah, Pantea Panahiha have performed.

A movie directed by Yalda Jebeli

The film contains four different stories. In the first story Jahan is a 32 years old man who is dreaming of becoming famous. In the second story Afsaneh and Reza are a middle aged couple who are facing new problems and difficulties in their life. Third Laleh and Kaveh are waiting for their first child to be born and finally Sara is a young girl who is decided to live with a different identity.

Taher Mohebi is a well-known writer who, after witnessing a violent murder, breaks down and spends three years in a mental institution. After release he is told that things are just as they were before, but his relentless hallucinations make him want to return to the institution.

Tala and Ati (Sis) are a mother and daughter who have lived together for many years; almost 50 years, as long as the life of Sis. Their situation, however, does not last long, and the days of separation arrive. The separation happens when Sis depends heavily on her mother due to her special conditions, and Tala is trying to provide security for Atiâ's future in the remaining time; a future without her presence.

The little girl had just colored her nails and the world painted her face.

Иран, 70-е годы прошлого века. Это история маленькой девочки, живущей с отцом и бабушкой и погружённой в свой детский сюрреалистический мир, наполненный мечтами и фантазиями.

It's Hasti’s birthday. She studies abroad and her parents in Iran want to congratulate her via Skype.

Jonas (Saeed Aghakhani), a former Iranian soldier during the Iran-Iraq War, sets out to search for his fallen brother's bodies years after they were killed in action.

A couple, Shokufeh and Iman who plan to flee Iran travel to the port city of Anzali to meet a man who is to smuggle them across the border. They await him by the side of a lagoon. They accidentally drop their bag of money and jewelry into the lagoon. Iman tries to jump in and find the bag but drowns in the process. A diver called Bahram the Buffalo is assigned to find Iman’s body in the lagoon and a relationship begins to develop between him and Shokufeh…

After a rock is thrown through a window, two families become intertwined in a dispute after an incident following an unsuccessful marriage. The couple in question try to hash out what actually went wrong, as the surrounding family members point fingers at one another. Tension builds as all of their other problems seem to bubble to the surface at the same time.

Khanoom is an episodic movie focusing on three women from three different social classes who has to suffer for the sake of their beloved men.

Minoo takes her husband, Hamed, to meet his ex-sweetheart, sepideh. This meeting revives old memories...

Objects will last longer than people. Two knives face up again after nearly 100 years. Who knows, maybe this confrontation continues, maybe this story ends here.