Russ Dyck

В канун Рождества преступники берут в заложники состоятельную семью, чтобы получить их деньги. Незадолго до этого захваченные родители подарили дочери рацию, по которой можно связаться с Сантой. Девочка вызывает подкрепление в его лице, чтобы проучить захватчиков.

2007 год. Сбежав из эстонской психиатрической больницы, 31-летняя женщина Лина, которая из-за заболевания выглядит на 9 лет, находит среди объявлений о пропавших детях похожую на себя девочку. Та оказывается из богатой американской семьи, и вот уже чудом обнаруженная «Эстер» возвращается к счастливым «родителям» и «старшему брату».

Гиперзаботливая мать Диана Шерман растит дочь Хлою в полной изоляции, контролируя каждый её шаг. Та прикована к инвалидному креслу, принимает множество таблеток, обучается дома и не общается со сверстниками. Разумеется, Хлоя растёт наивной девушкой, но однажды она начинает подозревать что-то неладное.

Новенькую старшеклассницу принимает в свою компанию группа из трёх девчонок и вскоре посвящает её в ведьмы.

Brendan is a pastor in a small, evangelical church, and he has a secret. He doesn't believe in God anymore. His wife is still a true believer - and she just told the wrong person. Losing Our Religion is a feature length documentary about preachers who are not believers, and what atheists do when they miss church. Allowed access to the 600 members of The Clergy Project - a safe haven for preachers from all faiths who no longer believe - the documentary follows ex-members and clergy who are still undercover. They are not just losing their religion, for many they are losing their friends, community and even family. As well as their job. As events unfold that change lives forever, their stories also connect with secular communities that are growing in surprising places. New groups are experimenting in ways to have church without god, and asking the same question as unbelieving clergy - "what's next?"

When their two-year-old son Oskar is diagnosed with autism, this busy family of seven drops everything for a year to focus on his therapy. In their surprising journey of discovery, they confront a critical question: What does unconditional love really mean?

На чердаке своей бабушки Алекс и ее друзья находят игру, с помощью которой можно вызвать Полуночного человека. Это опасное существо умеет воплощать самые худшие кошмары тех, кто к нему обращается.

This menacing monster yarn stars James Van Der Beek as government scientist Dan Leland, who's sent to investigate reported sightings of a giant squidlike beast that's put the entire population of a fishing village on edge. Though Leland starts his journey confident that this sea creature with an insatiable appetite is the stuff of old legends, a string of horrific occurrences soon begins to change his mind.

A movie about the travails of Jason (Mark Webber), a young gas station attendant and movie projectionist living in Nebraska. His encounters with various social difficulties and with Frances (Zooey Deschanel), a beautiful and enigmatic young woman leads to dramatic changes and decisions in his life.

A tribute to Isabella Rossellini's father

Sailors in repose on an island paradise seemingly have no worries of war or danger — until a playful gesture is interpreted as an act of wilful aggression. Soon, the innocent act of slight slapping becomes a relentless and unforgiving orgy of open-palmed face-smacking.

A Hollywood star (Fawcett), fed up with her husband's cheating, hires a private investigator to tail him. Emotional support is offered by her two friends - a soul singer (Givens) and a famous director's wife (Gilbert)

In Depression-era Winnipeg, a legless beer baroness hosts a contest for the saddest music in the world, offering a grand prize of $25,000.

A cinematic version of the Royal Winnipeg Ballet's adaptation of Bram Stoker's gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.

In the remote Alpine village of Tolzbad at the turn of the century, people talk quietly and restrain their movements lest avalanches come and kill them. This atmosphere lends itself to repressed emotions - shown through the parallel stories of butler student Johann lusting after his mother (an old flame of the mysterious Count Knotkers) and Klara's attraction to her father (who lusts after his other daughter), leading to duels and suicidal plunges galore. All this is shot in the style of an early German sound film, complete with intertitles, deliberately crackly soundtrack and 'hand-tinted' colour effects.

In the remote Alpine village of Tolzbad at the turn of the century, people talk quietly and restrain their movements lest avalanches come and kill them. This atmosphere lends itself to repressed emotions - shown through the parallel stories of butler student Johann lusting after his mother (an old flame of the mysterious Count Knotkers) and Klara's attraction to her father (who lusts after his other daughter), leading to duels and suicidal plunges galore. All this is shot in the style of an early German sound film, complete with intertitles, deliberately crackly soundtrack and 'hand-tinted' colour effects.