Asuka Nemoto

Koyama Haruka was an office worker who lived an unremarkable life, but one day she comes across a large platter of Bizen ware on display at a department store. Little by little, even at work and on her days off, Haruka is unable to think about anything but Bizen ware. With her heart filled by an inexpressible zeal, she heads to the city of Bizen in Okayama Prefecture and excitedly visits the creator of the large platter, Osamu.

Arakawa Ao lives happily on his own and hardly ever leaves Shimokitazawa, where he works at a vintage clothing shop, goes to occasional concerts and hangs out at his favorite bar. Then, he gets an unusual request to appear in an independent film.

Kakame, the evil mud through which a frustrated artist filled his revenge spirit, returns to the charge in this direct continuation of Vampire Clay.

Akemi is unable to get over the death of his girlfriend, but a book leads to his encounter with Akane, a woman with a wonderful smile. He gradually falls for Akane, who soothes him with her positive outlook and cheerful disposition, but Akane has a boyfriend who has a limited amount of time left to live.

Где-то в японской провинции рядом с художественной школой учительница находит пакет с замечательной глиной. Не пропадать же добру — из этой глины ученицы слепят скульптуры, а позже скульптуры съедят учениц.

Переехав из Токио в маленький город, в новой школе старшеклассница Харука сталкивается с буллингом. Как хорошая дочь, не желающая создавать проблемы родителям, девушка пытается не реагировать, а после и вовсе перестаёт ходить в школу. Но однажды одноклассники преступают черту и поджигают дом Харуки: её родители гибнут, а младшая сестра получает сильные ожоги. Вот теперь-то и пришло время обратить на задир внимание и расквитаться со всеми виновными.

Focusing on the lives (and a few deaths) of three filmmakers, Rikiya Imaizumi (Their Distance, Sad Tea) tackles weighty themes in this new ensemble drama set in Tokyo and Fukushima. Director Kajiwara, struggling to earn a living from film, gets an offer to do a music video. But it doesn’t go well and he finds himself in an unexpected situation. Actress Aoba witnesses her filmmaker boyfriend's suicide and decides to hide his body. Gardener Taro plans to close the family business he inherits from his father, but receives a phone call one night from the self-declared girlfriend of his estranged twin, Jiro.

A man with a wife and child attempts to run off with a hostess, but he doesn’t show up at the place they agreed to meet. The hostess continues to wait fully aware he won’t come. Then a man calls out to her…. “The Dork, The Girl, and The Douchebag,” the latest film in three years by OKUDA Yosuke who made his commercial film debut with “Tokyo Playboy Club” (11), is a powerful ensemble drama intertwining a drug dealer, a yakuza, an ex-convict youth, and others. It can be said the film inherits the setting of his previous work, but the intense realism exhibited in the raw chaos far exceeds the previous film and amply points to OKUDA’s future potential. Portraying the complex male character who only lives for violence, OKUDA’s talents as an actor should also not be overlooked.

A life of a mother and her two children breaking down quietly without showing any events happening out of their house. The film is about a child neglect and a corruption of the belief, motherhood exists in all female, based on a true incident happened in Osaka, Japan.