José Ignacio Arrufat

With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

Elena & Mario have a daughter who suffers from a serious illness.In order to survive,she will need a transplant from a genetically compatible sibling. After a number of unsuccessful pregnancies, Elena is expecting again. This time,everything is going well; but loneliness,and the fear of losing her husband's love will push Elena deep into the abyss.

In a stagecoach stop far away in the Wild West the unexpected arrival of a man called "Colonel" will change all of the passengers' peaceful lives. He begins a macabre game, solely asking for one thing - to abide by his law and wait. But the night is long and the vultures perceive the smell of death that the stagecoach stop emits.

В британской глубинке две вампирши заманивают мужчин к себе домой, а потом жестоко с ними расправляются.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

A young journalist has to spend a night in Barcelona's Wax Museum to investigate paranormal activities. He has no idea Dr. Knox, an insane cannibal surgeon, hides in the museum at night.