Pascal Kané

Jean-Louis Comolli and Jean Narboni, former editors at Cahiers du Cinema, interview their former colleagues and fellow travellers during the "Red Years" of the journal between 1968 and1973.

Marseille, 1941. Despite the war, young Levilé still hopes to save his mother and sisters in Poland and organize their departure for Argentina.

Angelo believes his father works with extraterrestrials on a top secret project.

Stephanie is a hostile and mute newcomer in a home for troubled minors. She disorients the staff. Louise, a young educator, is determined and determined to overcome the aggressiveness of the girls, who give her a hard time. She gets caught up in the game and oversteps her role, triggering the teenager to act out in unexpected ways.

Serge Daney talks about television in France, about the social role it plays and the role it could play, its ability to welcome and even integrate the "other" into a system of values of which it still is - in spite of everything - the depositary. Its existence of truth, of openness to the world passes through Serge Daney's own biography: that of a man formed by the major art of this century: the cinema.

The specific approaches of the biologist André Laganey, the journalist Serge Daney, the historian Emile Témime and the psychoanalyst Daniel Sibony try to shed light on the notion of racism through questions of identity.

During the war in 1941, Antoine, 9, lived with his grandparents in Gironde. His mother prefers to keep him away in the free zone, with his cousins, where he discovers a more rigorous world.

During the war in 1941, Antoine, 9, lived with his grandparents in Gironde. His mother prefers to keep him away in the free zone, with his cousins, where he discovers a more rigorous world.

Liberty Belle tells the story of a group of student's involvement with a group who oppose the French Algerian war. The film premiered at the 1983 Cannes Film Festival.

Liberty Belle tells the story of a group of student's involvement with a group who oppose the French Algerian war. The film premiered at the 1983 Cannes Film Festival.

About René Allio's 1973 film, " I, Pierre Rivière…", Pascal Kané interviews the filmmaker as well as Michel Foucault, the scientific editor of Pierre Rivière's text.

Eleven-year old Dora (Nathalie Manet) is forced to chase after clues concerning her inventor-father's death while being chased by thugs working for big industry. Not only is she seeking to understand her father's mysterious death, but some of the clues he gave her indicate that he invented something unusual which the big companies want. She barely escapes being kidnapped and is helped in her search by a magical fairy and an aspiring actress.

Eleven-year old Dora (Nathalie Manet) is forced to chase after clues concerning her inventor-father's death while being chased by thugs working for big industry. Not only is she seeking to understand her father's mysterious death, but some of the clues he gave her indicate that he invented something unusual which the big companies want. She barely escapes being kidnapped and is helped in her search by a magical fairy and an aspiring actress.

The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.

India, 1937. Anne-Marie Stretter is the wife of the French ambassador and leads a solitary yet privileged life in Calcutta. The tedium of her existence is relieved by numerous illicit love affairs with government officials, young men who find her an object of desire and fascination. The Vice Consul is driven insane by his love for her and, expelled from the ambassador’s palace, cries like a sick animal. Life continues for Anne-Marie Stretter, the same tedious existence…