Writer
With help from a neighbourhood and a past she has shunned, a young woman returns home to deal with her mother's dementia and the scars of her childhood.
Director
With help from a neighbourhood and a past she has shunned, a young woman returns home to deal with her mother's dementia and the scars of her childhood.
Cinematography
A North Indian couple, in their early 60s, at their mountain retreat. Their son has just gotten married, a reception has ended and all the guests have left. She chooses this moment to tell her husband that she is leaving. What follows is an endless day: the avalanche of this long-gathering decision and what it means to a decades-long relationship. Fragments of conversations, silence and chaos, as nostalgia mingles with menace and tenderness with cruelty. What will they succeed in rescuing against the landslide of memory and emotion?
Director
A North Indian couple, in their early 60s, at their mountain retreat. Their son has just gotten married, a reception has ended and all the guests have left. She chooses this moment to tell her husband that she is leaving. What follows is an endless day: the avalanche of this long-gathering decision and what it means to a decades-long relationship. Fragments of conversations, silence and chaos, as nostalgia mingles with menace and tenderness with cruelty. What will they succeed in rescuing against the landslide of memory and emotion?
Director of Photography
Set in bureaucratic Lutyens’ Delhi and ancient exotic Jaisalmer, Chai Pani etc. is a bittersweet coming of age story, of earnest US returned filmmaker, Satya. While subtle intense newbie, Zafar Karachiwala, as the idealistic Satya, struggles against official sloth, hypocrisy, corruption, and censorship, Konkona Sen ( National Award - Best Actress) brilliantly plays the two modern women who battle for his heart: the fun loving, ambitious fashion designer Radha and the elegant, sensitive Shanti, who works in a charity. Adding to the chaos, is hilarious Sinia Duggal as Satya’s pushy aunt, who tries to trap him into a traditional marriage and hysterically funny Gaurav Kapur, as Satya’s cynical friend, who lives by the perverted rules of networks of power and patronage.
Cinematography
"Chapal Bhaduri, a leading lady of Bengal’s traditional folk traveling theatre-in-the-round, the Jatra, spent his life playing women. This film is an intimate biography that brings you face to face with this unique individual, sharing what it means to him to become a woman night after night, talking of the woman inside his body, of troubled sexuality, of a long partnership with his older lover, of the loneliness of living on the edges of conventional society–and showing how he metamorphoses into the goddess to perform her story." - The Bangalore International Centre
Editor
"Chapal Bhaduri, a leading lady of Bengal’s traditional folk traveling theatre-in-the-round, the Jatra, spent his life playing women. This film is an intimate biography that brings you face to face with this unique individual, sharing what it means to him to become a woman night after night, talking of the woman inside his body, of troubled sexuality, of a long partnership with his older lover, of the loneliness of living on the edges of conventional society–and showing how he metamorphoses into the goddess to perform her story." - The Bangalore International Centre
